THE 1000 BEST SONGS IN THE WORLD EVER.

255-Buffy Sainte-Marie-Universal Soldier.

1964-It has never been released as a single in the UK.

Best Bit-At 2.01. One of the greatest anti war songs, but perhaps more poignantly, the most controversial of them all.

Buffy Sainte-Marie was born Beverly Jean Santamaria on February 20th, 1941, in Stoneham, Massachusetts, Uhited States, her father’s parents were born in Italy, while her mother was of English ancestry. Her family changed their surname from Santamaria to the more French-sounding ‘Sainte-Marie’ due to anti-Italian sentiment following the Second World War. Since the early 1960’s Buffy Sainte-Marie has claimed Indigenous Canadian ancestry, saying that she was brought up on the Piapot 75 reserve, in the Qu’ Appelle Valley, Saskatchewan, Canada, to Cree parents, saying that as an infant she was abandoned, and then adopted by Albert and Winifred Sainte-Marie, who were a couple of ‘Mi’kmaq descent, who took her to live with them in Massachusetts, United States. A 2023 investigation by ‘CBC News’ concluded that she was actually born in the United States, and is of Italian and English descent. Some Indigenous musicians and organisations have since called for the awards she won while falsely claiming an Indigenous identity to be rescinded. In 2025, she had many awards and honours revoked, including her membership in the ‘Order of Canada’, her induction into the ‘Canadian Music Hall of Fame,’ her ‘Juno Awards,’ and her ‘Polaris Music Prizes.’ In November 2023 following the award of an ‘International Emmy’ to a documentary film about her life called ‘Buffy Sainte-Marie: Carry It On,’ Sainte-Marie stated, ‘My mother told me that I was adopted and that I was Native, but there was no documentation as was common for Indigenous children at the time, I don’t know where I’m from or who my birth parents are, and I will never know.’ I have never known if my birth certificate was real.’

Buffy Sainte-Marie attended the University of Massachusetts, earning degrees in teaching, and Oriental philosophy, and between 1996-2019 she has been awarded 15 honorary doctorates. Throughout her life she has always fought for, and championed the rights of the indigenous peoples of the America’s. Between 1976-1981 she regularly appeared on the educational children’s television programme ‘Sesame Street,’ helping with their Native American programming, and in 1997 she founded the ‘Cradleboard Teaching Project,’ an educational curriculum devoted to better understanding of Native Americans. The discography of Buffy Sainte-Marie includes 16 studio Albums released between 1964-2017, and 13 singles released between 1965-2017, there are also eight official compilation Albums, and one collaborative Album available, In Canada on the ‘RPM’ chart, two of her singles have reached the top 40, with ‘Mister Can’t You See’ from 1972, peaking the highest at Number 21, while in America on the Billboard Hot 100, ‘Mister Can’t You See’ which made Number 38, is her only top 40 charting single. On the UK top 40 singles chart, she has charted on three occasions, with ‘Soldier Blue’ from 1971, peaking the highest at Number 7. In 1983, her co-written song ‘Up Where We Belong,’ for the film ‘An Officer and a Gentleman,’ won the ‘Academy Award’ for ‘Best Original Song’ at the 55th Academy Awards. The song also won the ‘Golden Globe Award’ for ‘Best Original Song’ that same year.

Buffy Sainte-Marie wrote ‘Universal Soldier’ in 1963, after seeing wounded soldiers returning from Vietnam. The song is very controversial because it says that the soldier is the one to blame, he or she is the one who has the choice to fire, or not fire their weapon, he or she has the choice to follow or not follow the politicians orders. Buffy Sainte-Marie has explained some of the songs lyrics,’I’ve always worked very hard to make my protest songs bulletproof, when it says, ‘He’s 5-foot-2 and he’s 6-feet-,’ I didn’t make that up, those were the height parameters of the Vietnam War.’ She has also stated that she wrote the song from the perspective of a student writing an essay for a professor who didn’t see eye to eye with her perspective, in the hope that people could see a different point of view. ‘Universal Soldier’ was never issued as a single by Buffy Sainte-Marie, and first appeared on her debut studio Album ‘It’s My Way,’ released in April 1964. The first released recording of the song was by the American Folk group ‘The Highwaymen’ in September 1963. In 1965 the song came to the attention of the Scottish Folk/Rock singer Donovan, who recorded it as part of his ‘Universal Soldier EP,’ the song reached Number 53 on the American Billboard Hot 100. The other charting version of the song is the one by Glen Campbell (1936-2017) (see also best songs 846 and 197) which made Number 45 on Billboard in America, and peaked the highest in Sweden at Number 4 in 1965. Also in 1965 Jan Berry (1941-2004) of Jan and Dean fame (see also best songs 811) released as a single an ‘answer song’ to ‘Universal Soldier,’ presenting the opposite point of view, it was called ‘The Universal Coward,’ which was a scathing attack on anti war protesters. Jan Berry’s musical partner Dean Torrence objected and did not participate in the recording. The Buffy Sainte-Marie version of ‘Universal Soldier’ was produced Maynard Solomon, who was born Maynard Elliott Solomon on January 5th, 1930, he died on September 28th, 2020, from Lewy body dementia, at the age of 90. Maynard Solomon was an American music executive, musicologist, and music producer, and the co-founder of ‘Vanguard Records’ with his brother Seymour Solomon (1922-2002) in 1950. Buffy Sainte-Marie signed with Vanguard Records in 1959, and remained there for the next 12 years.

‘He’s the Universal Soldier and he really is to blame, his orders come from far away no more. They come from him and you and me, and brothers can’t you see, this is not the way we put an end to war.’

THE 1000 BEST SONGS IN THE WORLD EVER.

256-Blur starring Phil Daniels-Parklife.

1994-Number 10 single.

Best Bit-At 0.21. This song is as quintessentially British as Fish N’ Chips, or the BBC, or making a cup of tea in response to a crisis, or of course talking about the weather.

‘Parklife’ is one of the songs that defined the genre of music that is known as ‘Britpop,’ ‘Britpop’ was a UK based music and culture movement in the mid-1990’s which emphasised ‘Britishness,’ and produced brighter catchier ‘Alternative Rock,’ partly in response to the darker lyrical themes of the United States led ‘Grunge’ music. There were many bands around at that time who were placed under the ‘Britpop’ banner, but the ones who were considered as the ‘big four’ were Oasis, (see also best songs 1006-758 and 15) Blur, (see also best songs 21) Suede, (see also best songs 695 and 244) and Pulp (see also best songs 605 and 285.) The ‘Britpop’ sound was influenced from the music of the 1960’s, the ‘Glam Rock,’ and ‘Punk Rock’ of the 1970’s, and the ‘Indie Pop’ of the 1980’s. For example Blur were obviously heavily influenced by the Kinks, (see also best songs 1014 and 770) and Oasis were heavily influenced by the Beatles (see also best songs 599-319-238-218-141-80-51-10 and 5.)

Blur (see also best songs 21) were formed in 1988, in London, England, by Damon Albarn, (vocals) Graham Coxon, (guitar) Alex James, (bass) and Dave Rountree (drums.) They were originally called ‘Seymour,’ but became Blur in March 1990. They were active between 1988-2003, then went on hiatus, they were then active again between 2009-2015, then again going on hiatus, until becoming active again in 2023. For the discography of Blur see best songs 21. It was the after the release of their third studio Album ‘Parklife’ in 1994 that Blur finally made their major commercial breakthrough, and at the time of writing the Album is now certified four times platinum in the UK, with sales in excess of 1,200,000, and a further 1,000,000 in Europe. The Album came to define the emerging ‘Britpop’ scene in the year following its release, along with the Album ‘Definitely Maybe’ by future rivals Oasis. Blur and Oasis were later involved in one of the most memorable chart battles in Pop music history. On August 14th, 1995, Blur released the single ‘Country House,’ and Oasis released their single ‘Roll With It,’ with the group who sold the most singles being crowned the most popular band in the country. The public’s imagination was sparked by the contrast between the ‘working class’ Oasis and the ‘middle class’ Blur. In the end, Blur’s ‘Country House’ single sold 274,000 copies to Oasis’ 216,000 copies of ‘Roll with It.’ The singles charted at Number 1 and Number 2 respectively, but what has never been admitted, as far as I know, was that in order to entice customers, at least one of the singles was issued on different coloured vinyl, and in differing sleeves, to entice the customer to buy two or more copies. The singles were also sold in different record shops at different prices, at the retailers discretion.

‘Parklife’ was the third of five singles released from Blur’s third studio Album of the same name, from August 1994. The songwriting is credited to all four members of Blur, although Damon Albarn wrote the lyrics, with the production being by Stephen Street, (see also best songs 940-595-464 and 21) and John Smith, who is a long term Blur collaborator. Damon Albarn who sings the songs chorus, had originally tried to perform the verses as well, but felt he couldn’t get into character. It was Graham Coxon who suggested the actor Phil Daniels, as Coxon was a big fan of the 1979 film ‘Quadrophenia,’ (see also best songs 265) which had starred a young Phil Daniels. At that time Daniels was not familiar with Blur, but after talking with Albarn he accepted the job. Daniels recorded his spoken lyrics in around 40 minutes, and opted for a share in the royalties rather than being paid a set fee. Graham Coxon has said, ‘A lot of people thought it was a celebration of Englishness, but it was actually very sarcastic. The ‘Parklife’ single wasn’t about the working class, it was about the park class: dustbin men, pigeons, joggers – things we saw every day on the way to the studio (Maison Rouge in Fulham.) It epitomises what Blur were about, having fun, and doing exactly what you want to do. Phil Daniels who has frequently performed ‘Parklife’ live with Blur has said, ‘I’ve been all over the world doing it, because Damon always said, ‘Look, do it when you like. I’ll tell you when I’m going to an interesting country, and you can come along if you want.’ So I’ve been to Japan, South America, America. All over the place.’

Damon Albarn has said that inspiration for ‘Parklife’ came to him after reading the 1989 novel ‘London Fields,’ written by Martin Amis (1949-2023.) When introducing the song in 2009 at a concert in Hyde Park, London, Damon Albarn told the audience, ‘I came up with the idea for this song in this park. I was living in Kensington Church Street, and I used to, you know, watch people, and pigeons.’ In 1995 ‘Parklife’ won ‘British Single of the Year,’ and ‘British Video of the Year’ at the 1995 ‘Brit Awards.’ ‘Parklife’ also won ‘British Album of the Year.’

‘Confidence is a preference for the habitual voyeur of what is known as… and morning soup can be avoided if you take a route straight through what is known as…’

THE 1000 BEST SONGS IN THE WORLD EVER.

257-Big Joe Turner-Flip, Flop and Fly.

1955-It has never charted in the UK.

Best Bit-At 2.08. The lyrics tell us that the best was to beat the blues is to look forward to meeting up with your ‘main squeeze,’ but at the same time not to forget you are also very attractive, so it’s only fair to share yourself around.

Big Joe Turner (see also best songs 855) was born Joseph Vernon Turner Jr. on May 18th, 1911, in Kansas City, ,Missouri, United States, he died of heart failure, having suffered the effects of arthritis, a stroke and diabetes, on November 24th, 1985, at the age of 74. Turner is recognised as one of the main protagonists in the development of ‘Rock N’ Roll,’ transitioning from Big Bands, to ‘Jump Blues,’ to ‘Rhythm and Blues,’ and finally ‘Rock N’ Roll.’ Turner was known as a ‘Blues Shouter,’ which is a ‘Blues’ singer, often male, capable of singing unamplified with a band. On announcing his death in 1985, the British music magazine the ‘New Musical Express’ described him as the ‘Grandfather of Rock and Roll.’ He was posthumously inducted into the ‘Rock and Roll Hall of Fame’ in 1987, with the Hall lauding him as ‘The brawny voiced ‘Boss of the Blues.” The American online music magazine ‘AllMusic’ called him ‘The premier Blues Shouter of the postwar era.’ A Blues Shouter is a Blues singer, capable of singing unamplified with a band, other notable ‘Blues Shouters’ include Big Maybelle, (1924-1972) Big Mama Thornton, (1926-1984) (see also best songs 86) and Howlin’ Wolf (1910-1976.) When speaking about Big Joe Turner, the American songwriter and Blues singer Doc Pomus (1925-1991) said, ‘Rock and Roll would have never happened without him.’

The discography of Big Joe Turner includes 52 Albums, including compilation Albums, and live Albums, released between 1951-2005, and 61 singles released between 1941-1973. He never had a charting single on the Billboard Hot 100, or on the UK top 40 singles chart, although 20 of his singles have made the Billboard ‘Hot R&B’ chart, with two of those tracks, ‘Honey Hush,’ (1953) and ‘Shake, Rattle and Roll’ (1954) both reaching Number 1.

‘Flip, Flop and Fly’ was co-written by Big Joe Turner, and Charles E. Calhoun, who also played the piano on the song. The two had previously teamed up in 1954 to write ‘Shake, Rattle and Roll,’ which is considered by many to be the very first ever ‘Rock N’ Roll’ hit when recorded by Bill Haley & His Comets (see also best songs 855.) ‘Flip, Flop and Fly’ has a similar arrangement to ‘Shake, Rattle and Roll,’ and it is rumoured that some of the left over lyrics from that song were recycled for this. ‘Flip, Flop and Fly’ has been covered by many of the Rock N’ Roll greats including Elvis Presley (1935-1977) (see also best songs 954-664-442 and 194) and Jerry Lee Lewis, (1935-2022) (see also best songs 678-362 and 99) but the only charting version I could find was by the Canadian Blues band ‘Downchild Blues Band,’ who took their version to Number 35 on the Canadian ‘RPM 100 singles chart’ in 1973.

Charles E, Calhoun was born Jesse Albert Stone on November 16th, 1901, in Atchison, Kansas, United States, he died after a long illness on April 1st, 1999 at the age of 97. Stone first recorded music in 1927 as a member of the ‘Blue Serenaders,’ releasing the Blues song ‘Starvation Blues’ on ‘Okeh Records.’ He then went on to work as a pianist, before forming his own orchestra, and working as a bandleader. In 1947 he joined the staff at ‘Atlantic Records’ to work as a producer, songwriter and arranger, he was the only black person employed by Atlantic Records at that time. Other notable songs written by Jesse Stone include ‘Losing Hand’ for Ray Charles in 1953, and ‘Money Honey’ which became the first hit for The Drifters also in 1953. Stone also notably arranged the song ‘Sh-Boom’ for The Chords, which reached Number 9 on Billboard in 1954, which is widely considered to be the first ‘Doo-Wop’/ ‘Rock N’ Roll’ song to reach the ‘Pop’ top 10.

While employed by Atlantic Records, Jesse Stone went on a fact finding mission with Ahmet Ertegun, (1923-2006) and Herb Abramson, (1916-1999) the co-founders of Atlantic Records. It was during a trip to the American South in 1949 with them that Stone discovered that Atlantic Records were not selling enough records in the southern states because they lacked a certain ‘danceable’ quality. Stone later said, ‘I listened to the stuff that was being done by those thrown together bands in the joints down there, and I concluded that the only thing that was missing from the stuff we were recording was the rhythm. All we needed was a bass line. So I designed a bass pattern, and it sort of became identified with Rock N’ Roll – doo, da-DOO, DUM; doo, da-DOO, DUM – that thing. I’m the guilty person that started that. ‘It was on Ahmet Ertegun’s advice that Stone began using the pseudonym of ‘Charles F. Calhoun,’ for his songwriting, a name appropriated from an unknowing local builder. The name was used on his ‘BMI’ recordings to avoid conflict with his membership in the other music licensing society, ‘ASCAP. ‘ Jesse Stone was honoured by the ‘Rhythm and Blues Foundation’ in 1992 with a ‘Pioneer Award,’ and he was inducted into the ‘Rhythm and Blues Hall of Fame’ in 1992, and then inducted posthumously into the ‘Rock and Roll Hall of Fame’ in 2010.

‘Here comes my baby flashin’ her new gold tooth, well she’s so small she can Mambo in a pay phone booth. I’m like a Mississippi Bullfrog sittin’ on a hollow stump, I got so many women I don’t know which way to jump.’

THE 1000 BEST SONGS IN THE WORLD EVER.

258-McFadden & Whitehead-Ain’t No Stoppin’ Us Now.

1979-Number 5 single.

Best Bit-At 1.42. Their stage name may sound like a firm of accountants, but they were actually one of the top song writing partnerships at Philadelphia International Records.

Gene McFadden was born on January 28th, 1949, in Olanto, South Carolina, United States, he died from liver and lung cancer on January 27th, 2006, one day short of his 57th birthday. John Whitehead was born John Cavadus Whitehead on July 10th, 1948, in Philadelphia, Pennsylvania, United States, he died on May 11th, 2004, at the age of 55. Whitehead was fatally shot, possibly in a case of mistaken identity. While fixing a car outside his home in Philadelphia, he was approached by two gunmen who fired multiple shots, then fled the scene, the murder remains unsolved. John Whitehead was the father of Kenny, and his late older brother John Whitehead Jr., who as an R&B duo released two studio Albums, in 1986, and 1994, and four singles between 1986-1995, of which two, both issued on ‘Motown Records,’ ‘Your Love is A 187,’ (1994-Number 32) and ‘Forget I Was a G,’ (1995-Number 40) both reached the UK top 40 singles chart.

Gene McFadden & John Whitehead first met each other as teenagers at school in the 1960’s in Philadelphia, where they formed a group called ‘The Epsilons’ which included future Harold Melvin & The Blue Notes (see also best songs 725) member Lloyd Parks. When Otis Redding (1941-1967) (see also best songs 712 and 377) came to Philadelphia, The Epsilons were invited to go on tour with him, which led to them signing to ‘Stax Records’ and releasing a single in 1970 called ‘The Echo.’ After the departure of Lloyd Parks, McFadden & Whitehead now a duo, changed their name to ‘Talk of the Town,’ and began working with the legendary Kenny Gambol and Leon Huff (see also best songs 1001-896-725-648-604-571-338 and 322) at Philadelphia Records. Gamble and Huff soon realised their potential as songwriters, and the pair went on to co-write or co-produce for artists of the calibre of The Jacksons, (see also best songs and 249 and 137) and Archie Bell & The Drells (see also best songs 571.) Their biggest success prior to this song came when they penned ‘Back Stabbers’ for the ‘O’Jays,’ which reached Number 3 in 1972 on the Billboard Hot 100, and Number 14 in the UK. Gene McFadden & John Whitehead are of course best remembered for ‘Ain’t No Stoppin’ Us Now,’ but they were key members in the development of the ‘Soul,’ R&B,’ and ‘Disco’ music that was coming out of ‘Philadelphia International Records’ in the 1970’s, and 1980’s.

The discography of McFadden & Whitehead includes three studio Albums released between 1979-1982, and eight singles, (including two re-releases of ‘Ain’t No Stoppin’ Us Now,’ in 1984 & 1985) issued between 1979-1985, there is also one official compilation Album ‘Ain’t No Stoppin’ Us Now: The Best of the PIR Years,’ issued in 2004 available. In America and the UK ‘Ain’t No Stoppin’ Us Now’ is there only charting single, reaching Number 13 on the Billboard Hot 100, although it also made Number 1 on what was known then as the Billboard ‘Hot Soul Singles’ chart. There fourth single release ‘I Heard It in a Love Song,’ from 1980, also reached that chart, peaking at Number 23. As in house songwriters and producers at ‘Philadelphia International Records’ McFadden & Whitehead worked with many of the labels artists, including Harold Melvin & the Blue Notes, The Intruders, and Melba Moore.

‘Ain’t No Stoppin’ Us Now’ was the first of three singles released from McFadden & Whitehead’s debut studio Album called ‘McFadden & Whitehead,’ from May 1979, the song was co-written and co-produced by McFadden & Whitehead, along with their long time collaborator Jerry Cohen, who also played the keyboards on the song. Other musicians to perform on the track included Bobby Eli, (1946-2023) (see also best songs 742) (guitar) and Dennis Harris, (see also best songs 322) (guitar.) The backing vocals were provided by Barbara Ingram, (1947-1994) Carla Benson, and Evette Benton, who formed as a vocal trio in 1972, alternating with group names such as ‘The Sweethearts of Sigma,’ ‘The Philadelphia Angels,’ ‘The Sweeties,’ and ‘The Sweethearts.’ Throughout the 1970’s the trio comprised the in-house backup group for Philadelphia International Records, working for the producer Thom Bell (1943-2022) (see also best songs 765 and 183.) It is calculated that they appeared on hundreds of songs including Billy Paul’s ‘Me and Mrs. Jones,’ (see also best songs 896 ) The (Detroit) Spinners’ ‘I’ll Be Around,’ and Lou Rawls’ ‘You’ll Never Find Another Love Like Mine’ (see also best songs 322.)

‘Ain’t No Stoppin’ Us Now’ has two cover versions that are well worth a listen. In 1979 the veteran American radio Disc Jockey, businessman, and Hip-Hop music pioneer Jocko Henderson (1918-2000) released an ‘Old Skool’ Rap version over the songs instrumental on Philadelphia International Records, and in 1988 the British Disc Jockey Steve Walsh (1958-1988) released his ‘Rap’ version called ‘Ain’t No Stopping Us Now (Party For The World,’) which made Number 44 on the UK top 40. ‘Ain’t No Stoppin’ Us Now’ is a song about succeeding despite having faced previous disadvantages. Kenny Gamble didn’t want McFadden & Whitehead to record the track as he figured that the song had far more chance of being a hit if it was recorded by the O’Jays, (see also best songs 648) which frustrated the duo. John Whitehead has said about the song, ‘If anything the song was a declaration of our independence from Gamble.’ Because of the songs lyrics it was soon adopted by the African/American community, and has been referred to as ‘The new black national anthem,’ and is often performed at major political and sporting events, replacing the 1900 written song ‘Lift Every Voice and Sing.’

‘There’s been so many things that’s held us down, but now it looks like things are finally comin’ around. I know we’ve got a long long way to go, and where we’ll end up I don’t know.’

THE 1000 BEST SONGS IN THE WORLD EVER.

259-Bing Crosby- Brother, Can You Spare a Dime?

1932-It has never charted in the UK, There was no UK chart until 1952.

Best Bit-At 3.01. In today’s money a dime is $1.88, which doesn’t seem to have the same ring to it.

‘Brother, Can You Spare a Dime?’ is also known as ‘Buddy, Can You Spare a Dime?’ It was written in 1930, and became the ‘Anthem’ of the ‘Great Depression.’ The Great Depression was a severe worldwide economic depression that took place mostly during the 1930’s, having begun in the United States following the stock market crash of October 29th, 1929, which was to become known as ‘Black Tuesday.’ The song asks why the men who built the nation, fought in World War 1, built the skyscrapers, and did what the nation asked of them, should find themselves abandoned and on the breadline. The Great Depression in the United States had a severe impact on the country, as by 1932, 25 percent of American men were unemployed.

‘Brother, Can You Spare a Dime’ was written by Yip Harburg, (see also best songs 68) who wrote the lyrics, and Jay Gorney, who wrote the music. The song was first performed in 1932 as part of the musical revue ‘Americana.’ Yip Harburg, whose full working name was Edgar Yipsel Harburg, was born Isidore Hochberg on April 8th, 1896 in New York City, United States, he died on March 5th, 1981, at the age of 84. It was initially reported that he had been killed in a traffic accident, but it was later determined that he suffered a heart attack while stopped at a red light. Yip Harburg was known for the social commentary of his lyrics, as well as his leftist leanings. He championed racial, sexual and gender equality and union politics. He also was an ardent critic of high society, and religion. It is likely that he took his adopted name from ‘Yipsel’ from that of the ‘Young People’s Socialist League,’ which had been formed in 1907, which was the youth group of the Socialist Party of America, whose members were called ‘yipsels.’ It was while attending ‘Townsend Harris High School,’ in Queens, New York, that Yip Harburg first met Ira Gershwin, (1896-1983) (see also best songs 286 and 231) the two became life long friends after bonding over a shared fondness of the works of ‘Gilbert and Sullivan.’ In the early 1920’s Yip Harburg became a co-owner of the ‘Consolidated Electrical Appliance Company,’ but the company went bankrupt following the crash of 1929, leaving Harburg anywhere from $50,000 – $70,000 in debt, it was at this point that that Ira Gershwin convinced Harburg that he should should start writing song lyrics, he had already written for local newspapers.

It was Ira Gershwin who also first introduced Yip Harburg to this songs co-writer Jay Gorney, who collaborated with him on songs for an Earl Carroll (1893-1948) Broadway review called ‘Earl Carroll’s Sketchbook,’ the show was successful and Harburg was engaged as lyricist for a series of successful revues, including ‘Americana’ in 1932, for which he wrote the lyrics of ‘Brother, Can You Spare a Dime?’ to the tune of a lullaby Jay Gorney had learned as a child in Russia. Although Harburg was never a member of the Communist Party, he was a member of the Socialist Party, and his refusal to identify reputed communists, led to him being blocked from working in Hollywood films, television, and radio for 12 years, from 1950 to 1962. In 1940 he won an ‘Oscar,’ shared with Harold Arlen, (1905-1986) (see also best songs 934-634-281 and 68) for ‘Best Music, Original Song for ‘The Wizard of Oz,’ and in 1972 he was inducted into the ‘Songwriters Hall of Fame,’ Other songs that Yip Harburg wrote the lyrics for include ‘April in Paris,’ (1932) ‘It’s Only a Paper Moon, (1933) and ‘Ding-Dong! The Witch Is Dead,’ (1939) which became a surprise hit in the UK, reaching Number 2 on the singles chart in 2013, in the aftermath of the death of the former Prime Minister Margaret Thatcher (1925-2013.)

Jay Gorney was born Abraham Jacob Gornetzsky on December 12th, 1896, in Białystok, Russia which is now part of Poland, he died on June 14th, 1990, at the age of 93. His family was Jewish, and in 1906, he witnessed the ‘Bialystok pogrom,’ which was one of a series of violent outbreaks against Jews between 1903 and 1908, this forced his family into hiding for nearly two weeks, after which they soon fled to the United States, arriving on September 14th, 1906. At the age of 14, and after two years of lessons, Gorney was offered a job as a pianist at a local Nickelodeon. After World War I, during which he enlisted in the Navy, he practised law briefly before pursuing a career in music. Now married he relocated with his wife to New York City, where he began his song writing career on Tin Pan Alley (see also best songs 669-535-443 and 412.) The Jay Gorney-Yip Harburg writing partnership ended when Harburg had an affair with Gorney’s wife, whom he subsequently married. Jay Gorney’s daughter from his second marriage is the actress and dancer Karen Lynn Gorney, who starred opposite John Travolta in the 1977 film ‘Saturday Night Fever’ (see also best songs 35.)

‘Brother Can You Spare a Dime’ has been covered on numerous occasions over the years. It was first performed by the vaudeville singer Rex Weber as part of the musical ‘Americana’ which was unsuccessful, as it only ran from October to December 1932. The first recorded version was this version by Bing Crosby, (1903-1977) (see also best songs 934 and 457) which was quickly followed by a competing version from Rudy Vallee (1901-1986.) In the ‘Rock ‘N Roll’ era the song has continued to be covered, by artists including Judy Collins, (1975) Tom Waits, (1986) and George Michael (2000.)

‘Once I built a railroad, made it run, made it race against time. Once I built a tower to the sun, brick and rivet and lime. Brother can you spare a dime?’

THE 1000 BEST SONGS IN THE WORLD EVER.

260-David Guetta featuring Taped Rai-Just One Last Time (Tiesto Remix.)

2012-Number 20 single.

Best Bit-At 5.07. This is one of just a handful of songs on this countdown which has been chosen for it’s remix, and not for it’s original version.

When I first started buying singles back in 1973 there was only a 7 inch single comprising an ‘A’ and a ‘B’ side (although a few EP’s would be released containing four or more tracks.) Around 1990 when the ‘CD’ format was taking over from vinyl, record labels were able to release more music onto each disc because of the longer playing time the disc provided, although the powers that be would only allow around 20 minutes of music for it to be eligible for the singles chart. Dance music took advantage of this new opportunity and would produce several remixed versions of the same song by different music producers.

David Guetta (see also best songs 909 and 234) was born Pierre David Guetta on November 7th, 1967, in Paris, France, with sales in excess of over 100 million records, including over 10 million Albums, he is one of the worlds best ever selling artists. In June 2021 he sold his recorded music catalogue for an amount somewhere in the region of between US$100 million, to US$150 million. David Guetta has an extensive discography, having released seven studio Albums between 2002-2018, and 99 singles between 1990-2025, there are also three extended plays, (EP’s) and 11 official compilation Albums available. In France on the ‘SNEP,’ which is the organisation that provides the official French music charts, David Guetta has had 48 top 40 hits as the lead artist, and a further one as a featured artist, with five of those tracks making the Number 1 position, with Just One Last Time featuring Taped Rai reaching Number 14. In the UK, David Guetta has had 45 top 40 hits as the lead artist, and a further four as a featured artist, with six of of those tracks making the Number 1 position, while in America on the Billboard Hot 100, as the lead artist, nine of his singles have reached the top 40, with a further one as the featured artist charting, with three of those tracks ‘Without You’ featuring Usher, (2011) ‘Turn Me On’ featuring Nicki Minaj, (2011) and ‘I’m Good (Blue’) with Bebe Rexha, (2022) all peaking at Number 4. In 2012, David Guetta created a new record label known as ‘Jack Back Records,’ which he set up to focus only on Electronic Music releases, compared to the Dance Pop productions he’s most known for, to date there have been 13 singles, and three Albums issued on the label by him between 2012-2024.

‘Just One Last Time’ was the second of three singles released from the deluxe edition of David Guetta’s fifth studio Album ‘Nothing but the Beat, 2.0,’ from September 2012, and was written by David Guetta, Giogio Tuinfort, Tom Liljegren, and Alexander Ryberg, with the production being by Guetta, Tuinfort, and Liljegren. Tom Liljegren and Alexander Ryberg who at that time performed together as ‘Taped Rai,’ also provided the vocals on the track, they are a Swedish vocal duo and currently perform together under their new name of ‘Max Elto.’ ‘Just One Last Time’ was the first single that they performed on together as Taped Rai, they have since released five singles between 2013-2015, as well as issuing music as separate artists, using the names ‘Alex Aris,’ and ‘Tom Taped.’ Giogio Tuinfort is a Dutch music producer and songwriter, and is a long term collaborator with David Guetta.

To my ears ‘Just One Last Time’ in it’s original form was just a run of the mill song until I heard this version remixed by ‘Tiësto,’ there are a further three official remixes issued by various producers, as well as an extended version. ‘Tiësto’ (see also best songs 368 and 29) was born Tijs Michiel Verwest (Dutch pronunciationˈtɛis miˈxil vərˈʋɛst) on January 17th, 1969, in Breda, North Brabant, Netherlands, many consider him the be the best DJ/producer of all time, he is affectionately known as the ‘Godfather of Electronic Dance Music.’ Between 1998-2000 Tiësto collaborated with his fellow Dutch music producer and remixer Ferry Corsten (see also best songs 29) under the name ‘Gouryella,’ achieving two top 40 UK hit singles, ‘Gouryella,’ (1999-Number 15) and ‘Walhalla’ (1999-Number 27.) Tiësto’s 2000 remix of Delerium’s ‘Silence’ featuring Sarah McLachlan (see also best songs 368) finally exposed him to more mainstream audiences. Tiësto was the first DJ to hold the British monthly magazine dedicated to Electronic Dance Music and DJ’s, ‘DJ Magazine’ ‘No. 1. DJ in the World’ title for the three consecutive years: in 2002, 2003 and 2004. Other honours include countless national and international best DJ awards, being named Officer of the ‘Order of Orange-Nassau’ by the Dutch Royalty, and being voted by the Dutch people as their 40th greatest citizen of all time. In 2007, he was awarded with the national Dutch prize of the ‘Golden Harp,’ which is awarded annually to Dutch musicians for their entire body of work.

The discography of ‘Tiësto’ includes seven studio Albums released between 2001-2023, and 119 singles released between 1994-2025, there are also two extended plays, (EP’s) 124 remixes, four remix Albums, and six official compilation Albums available. On the Dutch top 40 (Nederlandse Top 40) ‘Tiësto’ has had 32 top 40 singles, with four of those tracks reaching Number 1. In the UK, he has achieved 18 top 40 hits, with ‘Wasted’ featuring Matthew Koma, (2013) and ‘The Business,’ (2020) both peaking the highest at Number 3. In America, Tiësto’ has never had a Billboard Hot 100 top 40 entry, but 41 of his singles have made the Billboard Hot Dance/Electronic Songs top 40 chart.

‘Even though it hurts I can’t slow down. Walls are closing in and I hit the ground. Whispers of tomorrow echo in my mind, just one last time.’

THE 1000 BEST SONGS IN THE WORLD EVER.

261-Depeche Mode-Everything Counts.

1983-Number 6 single.

Best Bit-At 1.01. In order to embrace this theme of everything counting in large amounts, I suggest you take a listen to the 12 inch (In Larger Amounts) version.

Depeche Mode (see also best songs 968 and 134) were formed in Basildon, Essex, England, in 1980 by Martin Gore, (keyboards, guitar, and vocals) Dave Gahan, (lead vocals) Andy Fletcher, (1961-2022) (keyboards and bass guitar) and Vince Clarke (keyboards and guitars.) Clarke (see also best songs 700 and 451) left in 1981, and was replaced by Alan Wilder (keyboards, piano and drums) in 1982, who stayed with the band until 1995. Depeche Mode took their name from the French magazine ‘Depeche mode,’ which when translated means, hurried fashion, or fashion dispatch, for the discography of Depeche Mode see best songs 134. Vince Clarke had been the bands main songwriter, so after he departed the group in 1981 it was Martin Gore who took over the bulk of the songwriting duties, leading to a change in musical direction, and lyrical ideas, which now included sex, religion, and politics. Gore has said he feels lyrical themes which tackle issues related to solitude and loneliness are a better representation of reality, whereas he finds ‘happy songs’ fake and unrealistic, at the same time, he asserts that the band’s music contains ‘an element of hope.’

‘Everything Counts’ was the first of two singles re;eased from ‘Construction Time Again,’ which was the third studio Album by Depeche Mode, from August 1983, the song was written by Martin Gore, and produced by Depeche Mode, along with Daniel Miller and Gareth Jones. In 1989 a live version of the song was released as a single to promote the bands live Album called ‘101,’ this version of ‘Everything Counts’ reached Number 22 on the UK top 40.

Martin Gore was born Martin Lee Gore on July 23rd, 1961, in London, England, his biological father was an African/American G.I. stationed in Britain. Gore was raised by his biological mother and step father David Gore, and until the age of 30 he believed his stepfather was his biological father, as an adult he finally met his biological father in the American South. Away from Depeche Mode Martin Gore has released two solo studio Albums, in 2003, and 2015, and in 2012 he once again joined forces with Vince Clarke to record the Album ‘Ssss,’ under the name ‘VCMG.’ He has also released six solo singles between 1989-2015, and four extended plays, (EP’s) between 1989-2021. Gore has stated he became interested in Electronic Music after hearing acts such as Kraftwerk, (see also best songs 41) the Human League, (see also best songs 1009 and 986) and Orchestral Manoeuvres in the Dark (see also best songs 720.)

The production on ‘Everything Counts’ is credited to Depeche Mode, Daniel Miller, and Gareth Jones. Daniel Miller was born Daniel Otto Joachim Miller on February 14th, 1951, in Marylebone, London, England, he is a music producer, and the founder of ‘Mute Records.’ He studied film and television at the ‘Guildford School of Art’ from 1969-1972, where he first became interested in synthesizer music, being particularly inspired by the sound of German bands like Can, Faust, Neu!, and Kraftwerk. Daniel Miller founded the independent record label ‘Mute Records’ in 1978, and has released music by many top artists including Depeche Mode, Erasure, (see also best songs 700) Nick Cave and the Bad Seeds, and Yazoo (see also best songs 451.) In May 2002 Mute Records was bought by ‘EMI’ for £23 million, with Daniel Miller remaining in charge of the company’s global activities.

Gareth Jones (see also best songs 134) was born in 1954, in Warrington, Lancashire, England, he is a music producer and engineer. He started his career working at the independent recording studio ‘Pathway,’ in London, where he took part in the recording of Madness’ first single, ‘The Prince,’ (UK-Number 16) in 1979. In 1980 he was responsible for the mixing of the English musician John Foxx’s debut solo Album ‘Metamatic.’ When John Foxx established his own London recording studio, ‘The Garden,’ Gareth Jones began working there, and it was at this studio that he first worked with Depeche Mode, co-producing their 1983 Album ‘Construction Time Again,’ which was the first of three Albums in a row that Jones would work on with Depeche Mode. Gareth Jones is a pioneer in the use of digital equipment. He introduced sampling to many bands such as Depeche Mode, and the German experimental music group Einstürzende Neubauten. He began recording with new electronic instruments such as ‘AMS’ digital delays, and the ‘Synclavier’ sampler synthesizer, which was brought in by Daniel Miller of Mute Records.

‘Everything Counts’ was the first Depeche Mode song to feature both of the groups singers prominently at different times, with lead vocalist Dave Gahan’s baritone voice singing the lead vocals on the verses, while Martin Gore’s tenor voice sings the lead vocals on the chorus, there are also backing vocals from Alan Wilder.

‘Everything Counts’ addresses the issue of corporate greed and corruption in Britain, as the chorus sings of ‘grabbing hands,’ that ‘grab all they can.’

‘The handshake seals the contract from the contract, there’s no turning back.The turning point of a career in Korea being insincere. The holiday was fun packed, the contract still intact.’