THE 1000 BEST SONGS IN THE WORLD EVER.

877-Frank Sinatra-You Make Me Feel So Young.

1956-It has never been released as a single in the UK.

Best Bit-At 1.26. The very first British Album chart was published on July 22nd, 1956, and ‘Songs for Swingin’ Lovers!’ by Frank Sinatra, became the first ever Number 1 Album, staying at the top for two weeks.

Francis Albert Sinatra (see also best songs 567-469-120 and 73) was born on December 12th, 1915, in Hoboken, New Jersey, United States, both of his parents were Italian immigrants, he died on May 14th, 1998, after a heart attack, at the age of 82. During the early part of his career he was nicknamed ‘Chairman of the Board,’ but later on he became fondly known as ‘Ol’ Blue Eyes,’ due to his piecing blue eyes. Frank Sinatra was married four times, and had three children, including Nancy Sinatra (see also best songs 1010-978-367 and 124.) With sales in excess of 150 million records sold worldwide, he is one of the best selling artists of all time. Away from music, Sinatra also had a long and successful career as an actor, where he appeared in 62 films between 1941-1995, for which he received numerous awards, including winning the ‘Golden Globe for Best Actor – Motion Picture Musical or Comedy,’ for his role in the 1957 musical comedy ‘Pal Joey.’

The extensive discography of Frank Sinatra includes 59 studio Albums released between 1946-1994, and 297 singles issued between 1939-1993. Sinatra’s first chart entry in America was in 1939 with the ‘Harry James Orchestra,’ on ‘It’s Funny to Everyone but Me,’ he also had his first Number 1 hit single with the ‘Harry James Orchestra,’ in 1940 with ‘All or Nothing at All.’ Between 1940-1942 he recorded with the ‘Tommy Dorsey Orchestra,’ and he released his first solo single ‘Night and Day,’ in 1942, which reached Number 16 on the chart. In total Frank Sinatra has had 170 top 40 hits in America, with 11 of those songs reaching the Number 1 spot. In the UK, since an official chart was first published in 1952, Frank Sinatra has charted within the top 40 on 30 occasions between 1953-1993, with three of those tracks reaching Number 1, including his 1967 duet with his daughter Nancy Sinatra on ‘Somethin’ Stupid.’

‘You Make Me Feel So Young’ is the opening track on ‘Songs for Swingin’ Lovers!’ which was the 10th Album released by Frank Sinatra from March 1956. ‘You Make Me Feel So Young’ was co-written by Josef Myrow, (1910-1987) (melody) and Mack Gordon, (1904-1959) (see also best songs 775 and 321) (lyrics) with the song and it’s parent Album being produced by Voyle Gilmore (1912-1979.) The Album’s music was arranged and conducted by Nelson Riddle (1921-1985) (see also best songs 286 and 73.) ‘You Make Me Feel So Young’ was originally written by Myrow and Gordon for the 1946 musical film ‘Three Little Girls in Blue,’ where it was sung by the characters and performed by Vera-Ellen, (1921-1981) and Charles Smith, (1920-1988) with voices dubbed by Carol Stewart and Del Porter (1902-1977.)

Frank Sinatra’s musical career had been on the decline for several years, and was badly in need of a boost, and that’s what happened when he signed with ‘Capital Records’ in 1953, but essentially it was being teamed up with the arranger and composer Nelson Riddle that changed his fortunes for the better. Riddle who had already arranged ‘Mona Lisa’ (1950) for Nat King Cole, (1919-1965) the best selling song of Cole’s career, was brought in to work with Sinatra by ‘Capital Records,’ and together they would collaborate on 19 Albums together. Other classic Albums the pair teamed up for include ‘ In the Wee Small Hours,’ (1955) ‘ Songs for Young Lovers,’ (1954) and ‘Swing Easy!.’ (1954.) ‘Songs for Swingin’ Lovers!’ is considered to be amongst Sinatra’s best work, and in 2000, the Album was inducted into the ‘Grammy Hall of Fame.’

‘The moment that you speak, I want to go and play hide and seek. I wanna go and bounce the moon just like a toy balloon. You and I are just like a couple of tots, running across a meadow, pickin’ up lots of forget me nots.’

THE 1000 BEST SONGS IN THE WORLD EVER.

878-The Jesus and Mary Chain-Sometimes Always.

1994-Number 22 single.

Best Bit-At 1.57. In one last ditch attempt to get on the Radio 2 playlist, they came up with this.

The Jesus and Mary Chain (see also best songs 336) were formed in East Kilbride, Scotland, in 1983, they officially split in 1999, but reformed in 2007, and at the time of writing they remain active. The original line up were comprised of the brothers Jim Reid, (singer/songwriter, and lead vocalist) William Reid, (composer, singer, and lead guitar) Douglas Hart, (bass) and Murray Dalglish (drummer.) The bands two constants have been the Reid brothers, as Hart left in 1991, then founded his own video company, while Dalglish was only a member for a few months, until leaving in November 1984, when he was replaced by Bobby Gillespie (see also best songs 724.) In total there have been 23 different band members come and go, with five official members still performing.

‘Sometimes Always’ was the first of two singles released from The Jesus and Mary Chains’ fifth studio Album ‘Stoned & Dethroned,’ from August 1994. The song was written by William Reid, with the production by William, and Jim Reid. ‘Sometimes Always’ is a very different sound to that which got the brothers signed to ‘Creation Records’ in 1983. The Reid brothers early influences included bands such as ‘The Stooges,’ (see also best songs 219) and ‘The Ramones,’ (see also best songs 707 and 102) but to my ears this track sounds like the best song Lee Hazelwood (1929-2007) (see also best songs 1010-978-367 and 124) never wrote.

As well as issuing seven studio Albums, and 21 singles with The Jesus and Mary Chain, William Reid has also released an EP as ‘William,’ in 1998, called ‘Tired of F..king.’ He has also issued a further two EP’s, and two solo Albums, between 1999-2000, as ‘Lazycame.’ Jim Reid has also released music with Ben Lurie, also a one time member of The Jesus and Mary Chain, and Romi Mori, and Nick Sanderson of the American Rock band ‘The Gun Club,’ using the name ‘Freeheat’ since 1999. He has also issued two solo singles in 2005 and 2006.

The female vocals on ‘Sometimes Always’ are sung as a duet between Jim Reid, and Hope Sandoval, William Reid has said,’We’d always liked Hope’s voice. We asked her years ago to be on one of the records, but there was never a song that suited. Then this one came along and it felt right.’ Initially William had been worried that the song was ‘A bit too cute, too light a story,’ but his worries were soon laid to rest, as he has explained,’When we recorded it, Hope and Jim sang, and they just transcended it.’

Hope Sandoval was born on June 24th, 1966, in Los Angeles, California, United States, she is a singer and songwriter. Sandoval is best known for being the co-founder, and lead singer of the American Alternative Rock band ‘Mazzy Star,’ whom she founded in 1988 with David Roback (1958-2020.) With ‘Mazzy Star,’ Sandoval has released four studio Albums between 1990-2013, and 12 singles between 1990-2014. ‘Mazzy Star’ have never charted on the Billboard Hot 100 in America, but have had three singles reach the Billboard Alternative chart, with ‘Fade into You’ peaking the highest at Number 3 in 1994. In the UK, their only top 40 entry remains ‘Flowers in December,’ which reached Number 40 in 1996. Sandoval has also issued three Albums between 2001-2016, and nine singles in the same time period with the Irish musician Colm Ó Cíosóig, who was the founding member, and drummer with the Alternative Rock band ‘My Bloody Valentine,’ together they perform as ‘Hope Sandoval & the Warm Inventions.’

‘Sometimes Always’ tells the tale of couple who broke up because he left her, and now he realises that he has made a big mistake, She tells him that she gave him everything, but he just threw it back in her face. He begs her to take him back, and after making him beg, she decides to give him one more chance…. Some women never learn do they.

‘Oh, you’re a lucky son, lucky son of a gun, you went away, you went away, you went away, but now you’re back. I got down on my knees, and then I begged you please, I always knew you’d take me back.’

THE 1000 BEST SONGS IN THE WORLD EVER.

879-Beck-Where It’s At.

1996-Number 35 single.

Best Bit-At 3.53. He’s got two turntables, and a microphone, all he needs now is some flashing lights, and he can do mobile disco’s.

Beck was born Bek David Campbell, on July 8th, 1970, in Los Angeles, California, United States. His mother is Bibbe Hansen, who is a musician and actress, and performed in the Andy Warhol (1928-1987) movie ‘Prison’ (1965.) Beck’s father is the Canadian musical arranger, composer, and conductor David Campbell, who has worked on over 450 Gold and Platinum Albums, by artists of a wide range of genres since 1972, including Michael Jackson, Beyonce, and Harry Styles. Campbell has also contributed music to his extensive filmography since 1978. Beck is considered to be one of the most innovative artists since the start of the 1990’s, he has covered many different musical genres, including ‘Alternative Rock,’ ‘Anti-Folk,’ Hip-Hop,’ Psychedelia,’ Lo-Fi,’ and ‘Art Pop,’ with many of his 14 studio Albums vastly differing in musical genres. For the discography of Beck (see also best songs 230.)

‘Where It’s At’ was the first of five singles released from Beck’s fifth studio Album ‘Odelay,’ from June 1996. The Album is Beck’s most successful to date, having sold in excess of 2.3 million copies in America, and a further 750,000 worldwide to date. ‘Where It’s At’ was co-written by Beck, along with John King, and Michael Simpson, who are better known as ‘The Dust Brothers,’ all three are also credited as the songs producers. ‘Where It’s At’ which can boast many ‘samples,’ references ‘Old School Hip-Hop,’ when DJ’s would use two turntables and a microphone to create the right atmosphere. Beck also reminisces about his early days as a struggling musician, when he had to work menial odd jobs in order to make ends meet. Along with the many samples in the song, there is also audio included from a 1969 middle-school sex education Album called ‘Sex For Teens (Where It’s At,’) which is from where the song takes it’s title. Samples from that Album appear throughout the song, for example, “What about those who swing both ways AC-DC.’ The line ‘That was a good drum break,’ was taken from the 1989 song ‘I Don’t Care If U Disrespect Me (Just So You Love Me’) by the American Rock band ‘The Frogs,’ and the sample ‘Two turntables and a microphone,’ is lifted from the 1985 song ‘Needle to the Groove,’ by the Old School Hip-Hop group ‘Mantronix.’ Another sample is the track ‘Knock Him Out Sugar Ray,’ by the American ‘Funk’ band ‘Experience Unlimited (E.U.)’Where It’s At’ also makes reference to the American experimental musician Gary Wilson, who was an early influence on Beck. Speaking about ‘Where It’s At’ Beck has said,’I came up with that little riff on the Wurlitzer organ, and said I gotta remember this. The Dust Brothers were like-minded. We were drawn to the way drums had been recorded in the Sixties and early Seventies, sort of a heavy, dry, thick, soulful sound.’

The Dust Brothers are the duo of ‘E. Z. Mike,’ (Michael Simpson) and ‘King Gizmo,’ (John King) the pair started working together in Los Angeles, California, in 1985. The Dust Brothers first received critical acclaim for their production work on the ‘Beastie Boys’ second studio Album ‘Paul’s Boutique’ in 1989, the same year also saw them them write and produce tracks on Tone Lōc’s debut studio Album, ‘Lōc-ed After Dark,’ and Young MC’s debut Album ‘Stone Cold Rhymin.’ The Dust Brothers have also co-produced with the Rolling Stones, on their 1997 Album ‘Bridges to Babylon,’ as well as assembling the score for the 1999 film ‘Fight Club,’ The duo also co-produced the 1997 UK, and Billboard Number 1 single ‘MMMBop,’ by the American Pop/Rock band ‘Hanson. When the British duo ‘The Chemical Brothers’ (see also best songs 300 and 53) began their career around 1989, they also called themselves the ‘Dust Brothers,’ paying homage to the American duo, but because of trademark reasons they had to rename themselves ‘The Chemical Brothers. All worked out fine, and there were no hard feelings, as in 1997 the Dust Brothers remixed the Chemical Brothers track ‘Elektrobank.’ on their EP of the same name.

‘There’s a destination a little up the road, from the habitations and the towns we know. A place we saw the lights turn low, Jig-saw jazz and the get-fresh flow.’

THE 1000 BEST SONGS IN THE WORLD EVER.

880-James Brown-Get Up Offa That Thing.

1976-Number 22 single.

Best Bit-At 0.20. By 1976, James Brown had been having hits for 18 years, and he wanted to let everyone know that he was still the Number 1, which is why you hear him taunt those young whippersnappers, The Ohio Players, KC and The Sunshine Band, and Barry White (Barry who?)

‘Get Up Offa That Thing’ was the first of two singles released from James Brown’s 43rd studio Album of the same name, from July 1976. In America on the Billboard Hot 100 singles chart, the song peaked at Number 45, and Number 4, on the Billboard Hot R&B chart, while in the UK, it was his highest charting song in the decade of the 1970’s. ‘Get Up Offa That Thing,’ and it’s parent Album’s writing credits are registered to James Brown’s wife Diedre, and their two daughters, Deanna, and Yamma. This was because at that time Brown was in trouble with the ‘IRS,’ for failure to pay back taxes. Brown owed millions of Dollars in back taxes, and he didn’t want the royalties to go the ‘IRS.’ In fact it was Brown who wrote all of the six tracks on the Album, and also produced them as well, with the exception of track 2, ‘You Took My Heart,’ which was co-written with the saxophonist St. Clair Pinckney, (1930-1999) who was also a member of Brown’s backing band ‘The J.B.’s.’

‘The J. B.’s’ were James Brown’s backing group from 1970, through until his death in 2006, The J. B.’s were formed after most of the members of Brown’s previous band walked out on him over a pay dispute. In total there have been 34 different members of The J. B.’s, although none of the original seven members played on ‘Get Up Offa That Thing.’ As a side project, ‘The J. B.’s’ issued 14 Albums between 1972-2014, with four of those issued as ‘The JB Horns.’ They also issued 25 singles between 1970-1978, with many of these releases being distributed on the James Brown’s owned record label ‘People Records.’ Like many James Brown’s recordings, the music of ‘The J. B.’s’ has been heavily used for samples by Hip-Hop DJ’s, and record producers.

‘Get Up Offa That Thing’ is filed under the genre of ‘Funk’ music. ‘Funk’ is a music genre that originated in Black American communities in the mid-1960’s, when musicians created a rhythmic, danceable new form of music, through a mixture of various music genres that were popular among African Americans in the mid-20th Century. James Brown (1933-2006) (see also best songs 349-270 and 88) is recognised as the main player in the development of ‘Funk’ from the mid 1960’s, into the early part of the 1970’s, with artists such as ‘Parliament-Funkadelic,’ (see also best songs 612-340-143 and 26) Fatback Band, (see also best songs 798 and 217) and Earth Wind & Fire (see also best songs 916 and 462) adopting and developing Brown’s innovations.

The word ‘Funk’ initially referred to ‘a strong odour.’ It was originally derived from the Latin ‘fumigare,’ which means ‘to smoke,’ via the Old French ‘fungiere,’ and in this sense, it was first documented in English in 1620. In 1784 ‘funky’ meaning ‘musty’ was first documented, which, in turn, led to a sense of ‘earthy,’ that was taken up around 1900 in early ‘Jazz Music’ slang for something ‘deeply or strongly felt.’ Even though in white culture, the term ‘funk’ can have negative connotations of odour, or being in a bad mood, in African communities, the term ‘funk,’ while still linked to body odour, had the positive sense that a musician’s hard-working, honest effort led to sweat, and from their ‘physical exertion’ came an ‘exquisite,’ and ‘superlative’ performance.

James Brown has explained that he got the title ‘Get Up Offa That Thing’ while performing in front of an uninspired crowd in a Fort Lauderdale Club.’ He has said,’The audience was sitting down, trying to do a sophisticated thing, listening to Funk. One of the tightest bands they’d ever heard in their lives, and they were sitting. I had worked hard and dehydrated myself, and was feeling depressed. I looked out at all those people sitting there, and because I was depressed they looked depressed. I yelled, ‘Get up offa that thing and dance till you feel better!’ I probably meant until I felt better.’

‘Ha! Get funky! So good, uh! I’m first to stop, ha! I’ve told them now, ha! Uh! Ha! Ohio player! Can you hit it one time, check this out! Get up offa that thing,’

THE 1000 BEST SONGS IN THE WORLD EVER.

881-Hall & Oates-She’s Gone.

1973-It did not chart until 1976, when it peaked at Number 42.

Best Bit-At 4.35. The all time best selling duo’s are, 3/ The Everly Brothers, 2/ Simon & Garfunkel, and at Number 1/Daryl Hall & John Oates.

Daryl Hall was born Daryl Franklin Hohl on October 11th, 1946, in Pottstown, Pennsylvania, United States, and John William Oates was born on April 7th, 1948, in New York City, United States. Although they are commonly referred to as ‘Hall & Oates,’ they dislike that billing, and are adamant that their stage name is referred to as ‘Daryl Hall and John Oates,’ The duo first met at the ‘Adelphi Ballroom,’ in Philadelphia in 1967, when both were performing with different groups in a band competition, Daryl Hall was with ‘The Temptones,’ and John Oates with ‘The Masters.’ They soon discovered that they both had the same taste in music, and decided to work together, sharing the same apartments in Philadelphia. One of the apartments they shared had ‘Hall & Oates’ on the mailbox, which became the duo’s common nickname. In 1968 John Oates went to Europe, where he stayed for two years, but on his return, he and Hall began to work more seriously together, and signed a contract with ‘Atlantic Records’ in 1970.

The discography of Daryl Hall & John Oates includes 18 studio Albums released between 1972-2006. and 63 singles issued between 1972-2018, there are also 27 official compilation Albums and 11 live Albums available. In America on the Billboard Hot 100 singles chart, 29 of those singles have made the top 40, with six of those tracks reaching Number 1. While in the UK, they have achieved six top 40 hits, with ‘Maneater,’ from 1982, charting the highest at Number 6. Daryl Hall has also released eight solo Albums between 1980-2022, and 24 singles between 1980-2011, while John Oates has issued five solo studio Albums between 2002-2018, and five live Albums between 2004-2020.

‘She’s Gone’ was co-written by Daryl Hall & John Oates, and produced by Arif Mardin (1932-2006) (see also best songs 985-882-554 and 85.) The song was the first of two singles released from the duo’s second studio Album ‘Abandoned Luncheonette,’ from November 1973, the Album was also written by Hall & Oates, with Mardin producing. On it’s initial release in November 1973, ‘She’s Gone’ made little impact, only reaching Number 60 on Billboard, but after their breakthrough hit, with their eighth single release ‘Sara Smile’ (Billboard Number 4) in 1975, Atlantic Records, who the duo had left, to join ‘RCA’ records in 1974, re-issued ‘She’s Gone,’ and this time it peaked at Number 7 on the Billboard Hot 100.

Daryl Hall has called ‘She’s Gone’ the best song that he and John Oates ever wrote together. Oates has said that he came up with the chorus, which he wrote on an acoustic guitar, but Oates thought that it sounded like the Cat Stevens song ‘Wild World,’ (1970) so he went to his Wurlitzer keyboard and ‘reworked the groove.’ He has said,’From there, it was a matter of finding the progression, and coming up with the lyrics. We sat down together, and the first line that came out was, ‘Everybody’s high on consolation. It was one of those things where the lines just flowed out, and we were banging it back and forth. To me that is the ultimate Daryl and John song, because that was so collaborative, and so much a part of both of our experiences and lives thrown together.’

‘She’s Gone’ is based on Daryl Hall & John Oates true life experiences. Hall had recently got divorced from his first wife, Bryna Lublin, and Oates had been stood up on New Years Eve by his girlfriend. Many of the duo’s songs were written independently, but this one was a team effort, with Oates writing the chorus, and both adding the verses. Daryl Hall has said,’It’s very autobiographical. What we wrote about was real, even though it was two different situations,and it’s very thematic with us.This soaring melody and uplifting chord progression, but about a very sad thing.’ While John Oates has said,’Making a very, very personal statement but yet saying it in a way that a lot of people can relate it to themselves. That’s the secret of a good lyric. It’s that universal intimacy. I think that’s what we achieved with ‘She’s Gone.’

‘Get up in the morning, look in the mirror, one less toothbrush hanging in the stand, yeah. My face ain’t looking any younger, now I can see love’s taken a toll on me.’

THE 1000 BEST SONGS IN THE WORLD EVER.

882-Dusty Springfield-Son of a Preacher Man.

1968-Number 9 single.

Best Bit-At 1.43. ‘I’m on the intercom,’ Where is it, where is the intercom.’ ‘It’s on the wall by the two African fellows, to the right, warm, warmer, ‘DISCO.’

‘Son of a Preacher Man’ was used in one of the key scenes in the classic 1994 American crime film ‘Pulp Fiction,’ (see also best songs 347 and 301) which was directed by Quentin Tarantino (see also best songs 524) who said that if he hadn’t been allowed to use the song, he would have cut the scene from the movie. The clip from the film proved very popular in Iceland, where the song was re-issued in 1995, and reached Number 1 on ‘Íslenski listinn,’ the Icelandic top 20 music chart.

‘Son of a Preacher Man’ was co-written by John Hurley, (1941-1986) and Ronnie Wilkins, with the production credited to Jerry Wexler, (1917-2008) Arif Mardin, (1932-2006) (see also best songs 985 and 85) Jeff Barry, (see also best songs 820-331-220 and 192) and Tom Dowd, (1925-2002) (see also best songs 475 and 179) and if there was ever a better quartet on a records production, please let me know. ‘Son of a Preacher Man’ was first issued as a single in November 1968, and then as one of the 11 tracks on Dusty Springfield’s fifth studio Album ‘Dusty in Memphis,’ in January 1969. The songs writers John Hurley, and Ronnie Wilkins other best known song is ‘Love of the Common People,’ which was first recorded by ‘The Four Preps’ in 1967, and was most successful when recorded by the Everly Brothers, (Canada Number 4-1968) Nicky Thomas, (UK Number 9-1970) and Paul Young (UK Number 2-1983)

Hurley and Wilkins had written ‘Son of a Preacher Man’ with Aretha Franklin (1942-2018) (see also best songs 644 and 366) in mind, but Jerry Wexler who was working on Dusty Springfield’s debut Album for ‘Atlantic Records,’ ‘Dusty in Memphis,’ on hearing it, liked it so much, that he insisted on Springfield recording it. It is said that Aretha Franklin wasn’t keen on the songs subject initially, with her own father being a Gospel preacher, but she eventually changed her mind, and recorded it for her 1970 Album ‘This Girls in Love With You.’ The song also appears as the ‘B’ side to her 1970 single ‘Call Me.’

Jerry Wexler (see also best songs 644) was born Gerald Wexler on January 10th, 1917, in The Bronx, New York City, United States, he died on August 15th, 2008, from congestive heart failure at the age of 91. Prior to becoming a music producer, Wexler had been a music journalist for ‘Billboard Magazine,’ and it was he who coined the term ”Rhythm and Blues.’ In June 1949 at Wexler’s suggestion, the magazine changed the name of the ‘Race Records’ chart to ‘Rhythm & Blues Records.’ Wexler has said,’Race’ was a common term then, a self-referral used by blacks. On the other hand, ‘Race Records’ didn’t sit well. I came up with a handle I thought suited the music well, ‘Rhythm and Blues.’ It was a label more appropriate to more enlightened times.’ In 1968 on the recommendation of Dusty Springfield, Wexler, along with the co-founder of ‘Atlantic Records’ Ahmet Ertegun (1923-2006) signed Led Zeppelin (see also best songs 135 and 66) to ‘Atlantic,’ and then in 1975 Wexler moved from ‘Atlantic Records’ to its parent company ‘Warner Brothers Records.’ When asked by a documentary filmmaker several years before his death, what he wanted on his tombstone, Wexler replied ‘Two words. More bass.’

‘Dusty in Memphis’ has proved to be a very slow burner. On it’s initial release it sold very poorly, despite ‘Son of a Preacher Man’ going top 10 in the UK, but over the years it has become Springfield’s most acclaimed work, with constant placings in many best of lists. In 2020, the Album was selected by the ‘Library of Congress for preservation in the National Recording Registry’ for being ‘culturally, historically, or aesthetically significant.’ ‘Son of a Preacher Man’ gave Dusty Springfield her last top 10 UK hit single for 19 years, until collaborating with ‘The Pet Shop Boys’ (see also best songs 871 and 378) on the 1987 Number 2 single ‘What Have I Done To Deserve This?’

‘Son of a Preacher Man’ tells the story of a young girl who sneaks away with the preacher’s son every time that he and his father come to visit. The ‘Son of a Preacher Man’ romances her, and teaches her about love, he would turn out to be the only boy she ever really loved.’

‘How well I remember, the look that was in his eyes. Stealin’ kisses from me on the sly, takin’ time to make time, tellin’ me that he’s all mine. Learnin’ from each other’s knowin,’ lookin’ to see how much we’ve grown.’

THE 1000 BEST SONGS IN THE WORLD EVER.

883-Swedish House Mafia vs. Tinie Tempah-Miami 2 Ibiza.

2010-Number 4 single.

Best Bit-At 2.13. Let me explain one or two of the acronyms. AP, is ‘Audemars Piguet,’ which is a watch company, ‘MP3,’ is a music file. Bold BB, is a model of ‘Blackberry,’ CK, is ‘Calvin Klein,’ LV, is a ‘Louis Vitton’ handbag, APC, is a French fashion brand, and BGS, is my own acronym for ‘Bloody Good Song.’

The Swedish House Mafia (see also best songs 483) are a collective of music writers and producers, who during the late 1990’s, and early 2000’s would often collaborate together. Steve Angelo, and Sebastian Ingrosso had grown up together as children in Stockholm, and in the late 1990’s they would often cross paths with ‘Axwell’ Hedfors, and then in the early 2000’s they met Eric Prydz. The four of them were nicknamed ‘Swedish House Mafia,’ by their fans, and when they decided to officially form in 2008, they kept the name, but Eric Prydz declined the offer to join the group, describing himself as a ‘control freak’ in the studio who can’t abide collaboration, even with close friends. Prydz announced he would be leaving the group, soon after the collective officially formed, in November 2008.

Axwell Christofer Hedfors was born on December 18th, 1977, in Lund, Malmohus County, Sweden, alongside Steve Angelo, and Sebastian Ingrosso, he was was a member of the Swedish House Mafia between 2008-2013, and also when the trio reformed in 2018. The Swedish House Mafia who are still active at the time of writing, issued two compilation Albums in 2010, and 2012, and after their reformation they released their first studio Album ‘Paradise Again,’ in 2022. Away from the Swedish House Mafia, Axwell has released two compilation Albums, a remix Album, and 19 singles, In Sweden on the ‘Sverigetopplistan’ national record chart, he has had five top 40 hit singles, with ‘What a Wonderful World,’ with Bob Sinclar featuring Ron Carroll, charting the highest at Number 18 in 2008. In the UK, Axwell has had two top 40 hits, with ‘I Found U,’ featuring Max’C,’ peaking the highest at Number 6 in 2007.

Sebastian Carmine Ingrosso was born on April 20th, 1983, in Stockholm, Sweden. Away from the Swedish House Mafia collective, Ingrosso has issued 21 singles between 2004-2017, eight of those singles were in collaboration with Steve Angello, and three with Axwell Hedfors. In his native Sweden, four of those tracks have made the top 40, with ‘Reload,’ with Tommy Trash featuring John Martin, making Number 5 in 2013, while in the UK, he has charted twice, with ‘Reload,’ charting the highest at Number 3.

Steve Angelo was born Steven Patrik Josefsson Fragogiannis on November 22nd, 1982, in Athens, Greece, but was raised in Sweden from an early age. Angelo has released two solo studio Albums in 2016, and 2018, and six compilation Albums between 2003-2014, he has also issued 48 singles between 2003-2018. In Sweden two of those singles have reached the top 40, with ‘Baby When the Light,’ with David Guetta featuring Cozi, reaching Number 35 in 2007, while in the UK, he has charted once, with ‘Show Me Love,’ with Laidback Luke featuring Robin S. peaking at Number 11 in 2008 (see also best songs 994.)

‘Miami 2 Ibiza’ was co-written by Axwell, Steve Angelo, Sebastian Ingrosso, and Patrick Okogwu, who is better known by his stage name Tinie Tempah (see also best songs 586.) The song was produced by the three members of the Swedish House Mafia, who also wrote the music, with Tinie Tempah providing the lyrics. ‘Miami 2 Ibiza’ appears on the Swedish House Mafia’s debut compilation Album ‘Until One,’ from October 2010, and also appears on the same Album in instrumental form. It is also a track on Tinie Tempah’s debut Studio Album ‘Disc-Overy,’ which was also released in October 2010.

‘I got my visa and my Visa, a diva and her dealer, bitch, I’m up on the guest list with the Swedish House Mafia. You can find me on a table full of vodka and tequila, surrounded by some bunnies, and it ain’t f..king Easter.’

THE 1000 BEST SONGS IN THE WORLD EVER.

884-Prince-Alphabet St.

1988-Number 9 single.

Best Bit-At 4.46. ‘A.B.C.D.E.F.H. I love you.’ Prince could sing the alphabet, and make it sound wonderful.

‘Alphabet St.’ was the first of three singles released from ‘Lovesexy,’ from May 1988, the 10th studio Album by Prince (1958-2016) (see also best songs 487-269-85 and 54.) ‘Lovesexy’ which was recorded in just seven weeks received mixed reviews, and was his first studio Album since ‘Controversy’ in 1981 to not reach the American Billboard 200 Album chart top 10, stalling at Number 11. Also on Billboard ‘Alphabet St. was the only single from the Album to chart within the top 100, reaching Number 8, while in the UK, the other two singles issued,’Glam Slam,’ reached Number 29, and ‘I Wish U Heaven,’ made Number 24. Alphabet St. was written and produced by Prince, who also sang lead and backing vocals, played electric guitar, bass guitar, and also synthesizers. Other musicians playing on the track were Eric Leeds, (saxophone) and Sheila E. (drums) the Rap on the track, and other backing vocals were provided by Cat Glover.

Sheila E. was born Sheila Cecilia Escovedo, on December 12th, 1957, in Oakland, California, United States. She comes from a musical background, with her father being Pete Escvedo, a percussionist, who has released 12 Albums of Latin Jazz, between 1977-2018. Her other musical relatives include an unkle, Coke Escovedo, (1941-1986) who was a member of Santana, (see also best songs 158) and also another unkle, Javier Escovedo, who was the founder of the American ‘Punk Rock’ group ‘The Zeros.’ Like her father, Sheila E. is a drummer, and percussionist, who as well as playing on studio recordings with Prince, has also toured as part of his live band. As a solo artist, Sheila E. has released eight studio Albums between 1984-2017, and 20 singles between 1984-2019. Three of those singles have charted on the Billboard Hot 100 top 40, with the Prince penned song ‘The Glamorous Life,’ charting the highest at Number 7 in 1984. In the UK, her only top 40 hit to date is ‘The Belle of St. Mark,’ which reached Number 18 in 1984, and was also written by Prince.

Cat Glover who provides the ‘Rap,’ and backing vocals on ‘Alphabet St. was born Catherine Vernice Glover, on July 23rd, 1964, in Chicago, Illinois, United States, she first found success when winning the American talent show ‘Star Search,’ alongside her dancing partner Patrick Allen, where they performed as ‘Pat & Cat.’ In the late 1980’s Cat Glover choreographed and appeared in several of Prince’s videos, and also in his concert film ‘Sign o’ the Times,’ she also travelled with him as a backing vocalist and dancer on the ‘Sign o’ the Times,’ and ‘Lovesexy’ tours. The other Prince song that Cat Glover can be heard Rapping on is ‘Cindy C,’ from the 1987 ‘The Black Album.’

Eric Leeds who played the saxophone on ‘Alphabet St. was born on January 19th, 1952, in Milwaukee, Wisconsin, United States, he was introduced to Prince in the mid 1980’s by his brother Alan Leeds who had been the tour manager for Prince in the early 1980’s. Eric Leeds was a member of the Prince side project ‘The Family’ in 1985, before becoming a member of Prince’s recording and touring backing band ‘The Revolution.’ After the break up of ‘The Revolution,’ Leeds continued to work with Prince through until the 2004 live Album ‘C-Note.’ Eric Leeds has also released three solo studio Albums between 1991-2000, with the first two being issued on Prince’s own record label ‘Paisley Park.’

‘Alphabet St. is one of the most sexually explicit songs on this ‘Best 1000’ list, and yet as far as I know, not one radio station, or television broadcast has ever refused to play it. The songs subject is oral sex, and the letters of the alphabet represent the shapes the narrator can make with his tongue. Astute listeners will hear in the songs lyrics that there is no ‘G.’ Did you ‘spot’ that?

‘Talk to me lover, come on tell me what you taste, didn’t your mama tell you life is to good to waste. Didn’t she tell you that Lovesexy was the glam of them all. If you can hang, you can trip on it, you surely won’t fall.’

THE 1000 BEST SONGS IN THE WORLD EVER.

885-New Order-Blue Monday.

1983-Number 9 single. When it was remixed and re-issued in 1988, it peaked at Number 3, and when remixed again in 1995, it made Number 17.

Best Bit-At 3.32. With sales in excess of 700,000, this song is the best selling 12 inch vinyl single of all time.

After the death of Ian Curtis in 1980, the three remaining members of Joy Division (see also best songs 619) changed the bands name to ‘New Order,’ the name was chosen by the bands manager Rob Gretton, (1953-1999) who had seen the name ‘New Order’ in an article in ‘The Guardian’ newspaper titled ‘The People’s New Order of Kampuchea.’ The three members of Joy Division who became ‘New Order’ were Bernard Sumner, (vocals and guitar) Peter Hook, (bass) and Stephen Morris, (drums) they were soon joined by Morris’ then girlfriend, and future wife, Gillian Gilbert, who played keyboards and guitar. Phil Cunningham, (guitar) became a full time member in 2001, followed by Tom Chapman, (bass and keyboards) in 2011. Peter Hook departed the group in 2007. Whereas ‘Joy Division’ played ‘Post Punk,’ ‘Gothic Rock,’ and ‘New Wave,’ ‘New Order’ radically changed their musical style, heading in a more ‘Synthpop,’ ‘Alternative Rock,’ and Electronic’ direction.

The discography of ‘New Order’ includes 10 studio Albums released between 1981-2015, and 45 singles released between 1981-2020. There are also 12 official compilation Albums, and six live Albums available. In the UK, two of those studio Albums have reached Number 1, and 27 of the singles have made the top 40, including the two remixes of ‘Blue Monday.’ They have achieved one UK Number 1 single with ‘World in Motion’ in 1990, which was performed with the England national football team, and credited as ‘ENGLANDneworder.’ In America on the Billboard Hot 100 it is slimmer pickings, with only two of their singles reaching the top 40, with ‘Regret’ from 1993, peaking the highest at Number 28.

‘Blue Monday’ was co-written and produced by Gillian Gilbert, Peter Hook, Stephen Morris, and Bernard Sumner, who were the four members of ‘New Order’ at that time. The song was released in March 1983 only on the 12 inch format, with the ‘B’ side being a primarily instrumental version of the song entitled ‘The Beach.’ In 1988, ‘New Order,’ along with the legendary Quincy Jones (see also best songs 1022-889-812-703-511-357 and 191) remixed ‘Blue Monday,’ which peaked at Number 3 in the UK, and also enhanced further sales of the 12 inch version. A further remix in 1995 by the German duo ‘Hardfloor,’ saw the song chart for a third time at Number 17. In the UK,’Blue Monday’ is one of that countries best ever selling singles, with sales in excess of 1.2 million.

‘Blue Monday’ has been described as ‘A crucial link between 1970’s ‘Disco’ music, and the ‘Dance/House’ boom that took off at the end of the 1980’s. ‘New Order’ readily admit that ‘Blue Monday’ has many influences. When speaking about how the song came to fruition, Peter Hook has said that the song was stolen from the Donna Summer (1948-2012) track ‘Our Love,’ which was written by Summer, and Giorgio Moroder, (see also best songs 78 and 11) and is featured on Summer’s 1979 Album ‘Bad Girls.’ Bernard Sumner has also spoken about how ‘Blue Monday’ came about, admitting that part of the songs arrangement came from the 1982 ‘Italian Disco’ song ‘Dirty Talk,’ by ‘Klein + M.B.O.’ Sumner has also said that ‘Blue Monday’s’ synthesised bassline was taken from the 1978 ‘Disco’ song ‘You Make Me Feel (Mighty Real)’ by Sylvester (see also best songs 162.) The respected music journalist Clinton Heylin alleged that ‘Blue Monday’ was derived from the 1979 ‘Novelty’ song ‘Gerry and the Holograms,’ by ‘Gerry and the Holograms,’ which Sumner denies, but I urge you to have a listen, and make up your own mind.

The meaning of ‘Blue Monday’ is vague, with many suspecting it is either about a failed relationship, or drug addiction, Peter Hook has said,’I don’t think there is a great deal to tell behind the lyrics if I am going to be brutally honest. It was just one of those things where Barney just went for it, and the rest was history.’

‘How does it feel, to treat me like you do. When you’ve laid your hands upon me, and told me who you are. Thought I was mistaken, I thought I heard your words. Tell me, how do I feel.’

THE 1000 BEST SONGS IN THE WORLD EVER.

886-Tony Orlando and Dawn-Knock Three Times.

1971-Number 1 single.

Best Bit-At 0.36. If the answer is twice on the pipe, then the best thing to do is forget about her, and go and have a cold shower.

Tony Orlando was born Michael Anthony Orlando Cassavitis, on April 3rd, 1944, in New York City, United States, he is a singer, songwriter, music producer, and an actor. He achieved his first hit single as a solo artist in 1961 at the age of 16, with the original version of ‘Halfway to Paradise,’ which peaked at Number 39 on Billboard in America. His follow up single ‘Bless You,’ also charted making Number 17 on Billboard, and charted in the UK at Number 5. Tony Orlando released a further 13 singles between 1961-1979, but they all failed to chart. He has also released eight solo Albums between 1961-2014.

As well as being a recording artist, Tony Orlando became a music producer, and he also worked his way up to become the vice president of the publishing company ‘CBS Music.’ In 1969 he recorded with the studio group ‘Wind,’ and had a Billboard Number 28 hit with ‘Make Believe.’ It was at this time that Orlando accepted a $3,000 advance, and sang lead vocals on a song called ‘Candida,’ as a favour for two producer friends of his called Hank Medress, (1938-2007) and Dave Appell (1922-2014.) When ‘Candida’ was released in 1970, Orlando insisted that his name be left off, as if it failed to chart it might damage his reputation, and there could also be legal issues, as Orlando was signed to ‘CBS Records,’ and ‘Candida’ was issued on ‘Bell Records.’ The name ‘Dawn’ was chosen as Orlando’s pseudonym, which was the middle name of the daughter of ‘Bell Records’ executive Steve Wax. ‘Candida’ became a hit (Billboard Number 3, and UK Number 9) and Orlando recorded the Album ‘Candida,’ which included ‘Knock Three Times.’

‘Knock Three Times’ was co-written by Irwin Levine, (1938-1997) and L Russell Brown, Levine was also responsible for ‘Candida,’ and with Brown, ‘Tie a Yellow Ribbon Round the Ole Oak Tree,’ (1973) which is one of the 50 best selling songs in America on Billboard of all time. The ‘Candida’ Album has vocals by Tony Orlando, Toni Wine, Cynthia Weil, Jay Siegal, and Linda November, but all the other ‘Dawn’ releases were performed by Tony Orlando, Telma Hopkins, and Joyce Vincent Wilson. Toni Wine who was the other co-writer of ‘Candida,’ also co-wrote ‘A Groovy Kind of Love,’ (The Mindbenders 1965, and Phil Collins 1988) with Carol Bayer Sager, and she sang vocals on the ‘Archies’ 1969 Billboard, and UK Number 1 ‘Sugar Sugar.’

Tony Orlando and Dawn have released nine studio Albums between 1970-2005, and 26 singles between 1970-1991, there are also 17 official compilation Albums available. In America on the Billboard Hot 100 they have achieved 14 top 40 singles, with three of those songs, including ‘Knock Three Times,’ reaching Number 1, while in the UK, they have charted on six occasions, with ‘Knock Three Times,’ and ‘Tie a Yellow Ribbon Round the Ole Oak Tree,’ both making Number 1. Such was the popularity and success of Tony Orlando and Dawn, that in 1974,’CBS’ television gave them there own variety show, which ran until December 1976. The show was scheduled to replace ‘The Sonny & Cher Comedy Hour,’ and was made in the same vein, with sketches featuring sarcastic back-and-forth banter between Orlando, Hopkins and Vincent, similar to the sarcastic dialogue between Sonny and Cher (see also best songs 672.)

L. Russell Brown and Irwin Levine, who wrote ‘Knock Three Times,’ were thinking of the song ‘Up on the Roof,’ (see also best songs 1021) and they wanted to write a song with that kind of lyrical flavour, about tenement living.’Knock Three Times’ is about a guy who fancies his downstairs neighbour, and leaves her a note one day saying, that if she is interested, she must knock three times on the ceiling, but if she isn’t interested, she should bang twice on the pipe. We never find out how she responds.

‘Hey girl what ya doin’ down there, dancin’ alone every night while I live right above you. I can hear your music playin,’ I can feel your body swayin,’ One floor below me you don’t even know me
I love you, oh my darling.’