THE 1000 BEST SONGS IN THE WORLD EVER.
954-Elvis Presley-Jailhouse Rock.
1958-Number 1 single. When it was re-issued in 2005, it once again became a UK Number 1.
Best Bit-At 0.01. When an old person tells you that today’s songs would make a vicar blush, ask them how this song of debauchery, and ‘Sodom and Gomorrah,’ managed to get past the censors in 1957.
‘Jailhouse Rock’ was one of four songs written and produced by the legendary songwriting team of Jerry Leiber, (1933-2011) and Mike Stoller, (see also best songs 804-524-124 and 86) for the 1957 American musical film drama ‘Jailhouse Rock,’ starring Elvis Presley (1935-1977) (see also best songs 664-442 and 194) as Vince Everett, who accidentally kills a drunken, belligerent man in a barroom brawl, and is sentenced to 10–14 months in the state penitentiary for manslaughter. The film was the third of 31 films that Elvis Presley appeared in between 1956-1969, and one of his more ‘critically approved.’ The dance scene in the film to the song ‘Jailhouse Rock,’ which Presley performed in, and also choreographed, is agreed upon as his greatest on screen moment. In 2013 the English boy band ‘One Direction’ payed homage to the iconic ‘Jailhouse Rock’ scene, when recreating it as part of the video for their UK Number 9 hit single ‘Kiss You.’
Jerry Leiber and Mike Stoller are one of the most successful and influential songwriting teams in ‘Pop Music’ history, having together, or with others, or solo, written over 70 chart hits. Jerry Leiber was born on April 25th, 1933, in Baltimore, Maryland, United States, he died on August 22nd, 2011, from cardio-pulmonary failure, at the age of 78. Michael Stoller, who would later legally change his name to ‘Mike’, was born on March 13th, 1933, in Long Island, New York, United States, the pair first met in Los Angeles, California, in 1950, while both were just finishing school, although Leiber attended ‘Fairfax High,’ and Stoller, ‘Bellmont High.’ Leiber and Stoller are credited with bringing ‘black’ music (Rhythm and Blues) to the attention of a white audience in the 1950’s. Working, and writing with acts such as the ‘Coasters,’ (Yakety Yak -1958)) and the ‘Drifters,’ (see also best songs 568) (There Goes My Baby -1959) Leiber and Stoller introduced the use of strings for saxophone-like riffs, and also lavish production values into the established black ‘R&B’ sound, laying the groundwork for the ‘Soul Music’ that would follow.
‘Jailhouse Rock’ was first released as a single in 1957, with ‘Treat Me Nice,’ which was another Leiber and Stoller song from the ‘Jailhouse Rock’ soundtrack on the ‘B’ side. In America on Billboard ‘Jailhouse Rock’ would spend seven weeks at Number 1 in 1957, while in the UK, the song spent three weeks at Number 1 in early 1958. In 2005 to commemorate what would have been the 70th birthday of Elvis Presley, this was one of the songs that was re-issued, and it once again became a UK Number 1.
Leiber and Stoller obviously had a lot of fun writing the lyrics to ‘Jailhouse Rock,’ which are very much tongue in cheek. Some of the characters are fictional, but some were real,’Shifty Henry’ (1921-1958) was an American ‘Blues’ songwriter, who in ‘Jailhouse Rock’ says to ‘Bugs,’ For heaven’s sake, no one’s looking, now’s a chance to make a break.’ ‘The Purple Gang’ who were ‘The whole rhythm section,’ were in fact a criminal mob of murderers, and armed robbers, who operated in Detroit, Michigan, in the 1920.s, during the Prohibition era. ‘Sad Sack’ is another character mentioned, Sad Sack was originally a comic book character created during World War 2, for the comic book ‘Yank the Army Weekly.’ Sad Sack depicted a lowly private, experiencing some of the humiliations of military life, the title was a euphemistic shortening of ‘Sad sack of s..t.’ For it’s time the lyrics were fairly controversial, particularly the suggestion of gay romance, when inmate Number 47 tells Number 3, ‘You’re the cutest jailbird I ever did see.’ The American film historian Douglas Brode wrote about the ‘Jailhouse Rock’ production, ‘It’s amazing that the sequence got passed by the censors.’
‘The warden threw a party in the county jail, the prison band was there and they began to wail. The band was jumpin’ and the joint began to swing, you should’ve heard them knocked out jailbirds sing.’