THE 1000 BEST SONGS IN THE WORLD EVER.

319-Beatles-Yesterday.

1965-The song was not released as a single in the UK until 1976 when it reached Number 8.

Best Bit-At 1.00. The Beatles appeared several times on the Ed Sullivan Show, but this time Paul McCartney had to perform ‘Yesterday’ solo. Just before the curtain opened a stagehand asked him, ‘Are you nervous? ‘No,’ Paul lied, to which the stagehand replied, ‘You should be, there’s 73 million watching.’

According to legend, Paul McCartney (see also best songs 646 and 147) composed the entire melody of ‘Yesterday’ in a dream one night while staying at the family home of his then girlfriend Jane Asher. Upon waking he rushed to a piano and played the tune to avoid forgetting it. Initially McCartney was concerned that he had subconsciously plagiarised someone else’s work, Paul McCartney has said, ‘For about a month I went round to people in the music business and asked them whether they had ever heard it before. Eventually it became like handing something in to the police. I thought if no one claimed it after a few weeks then I could have it.’ Although Paul McCartney had the melody, he hadn’t yet written any lyrics, so from the onset he chose the working title ‘Scrambled Eggs.’ He first began to compose the songs lyrics during a five hour car trip from Lisbon to Albufeira in southern Portugal in May 1965, when on holiday with Jane Asher. The villa where McCartney and Asher were staying was owned by The Shadows guitarist Bruce Welch, McCartney asked Welch if he could borrow his guitar, and then proceeded to play ‘Yesterday’ for the very first time.

‘Yesterday’ was a watershed moment for the Beatles (see also best songs 599-238-218-157-141-80-51-10 and 6) with this being the first time that a song was made in the Beatles name, but only had any real input from one band member. Following this many Beatles classics would be significantly written by just John Lennon (1940-1980) (see also best songs 927-473-456-168 and 20) or Paul McCartney, but because of contractual reasons the songs would always be credited to ‘Lennon/McCartney,’ an informal agreement made between McCartney and Lennon in 1962. In future years having Lennon’s name appear before his in the writing credits would anger McCartney, who felt his name should often be first, especially on songs such as ‘Yesterday’ where he was the sole writer. When ‘The Beatles Anthology’ Album Project of a three volume set of double Albums was released in 1996, Paul McCartney asked for the writing credit on ‘Yesterday’ to read ‘McCartney/Lennon,’ since he was the sole author of the song. John Lennon’s widow Yoko Ono refused, and it remained ‘Lennon/McCartney.’

As ‘Yesterday’ was so different to anything else released under the Beatles name at that time, the band decided not to release it as a single in the UK, but in America they were signed to ‘Capitol’ records, where they didn’t have the same influence, and they were overruled by the label who chose to release the song as a double ‘A’ sided single with ‘Act Naturally,’ the single went on to spend four weeks at Number 1 on Billboard in September and October 1965. In the UK the song was first issued in August 1965 on the ‘Help’ Album, and then in March 1966 on the ‘EP Yesterday,’ but it was finally released as a stand alone single 10 years later. In 1976 when the Beatles contract with ‘EMI’ records expired the ‘Parlophone’ label reissued all 22 original UK Beatles singles plus ‘Yesterday’ for the first time, with ‘I Should Have Known Better’ on the ‘B’ side, with the single reaching Number 8 on the UK chart.

‘Yesterday’ was written by Paul McCartney, with the production and string arrangement being by George Martin, (1926-2015) who had extensive involvement in each of the Beatles original Albums, and was commonly referred to as the ‘fifth Beatle.’ the song was recorded by Paul McCartney playing an acoustic guitar, and being backed by a string quartet which included Tony Gilbert, (1934-2023) (violin) Kenneth Essex, (1920-2021) (viola) Peter Halling, (cello) Francisco Gabarró, (1914-1990) (cello) and Sidney Sax, (1913-2005) (violin.) Sidney Sax also played on other Beatles classics including ‘Eleanor Rigby,’ (see also best songs 599) and ‘All You Need Is Love’ (see also best songs 141.) When George Martin first suggested adding a string quartet, Paul McCartney responded, ‘Oh no, George. We are a Rock N’ Roll band, and I don’t think it’s a good idea.’

According to the ‘Guinness World Records,’ ‘Yesterday’ is the most covered song of all time with over 3000 different recordings, it is also the second most played song on radio of all time behind ‘You’ve Lost That Lovin’ Feelin’ by The Righteous Brothers (see also best songs 782.) The first cover version of ‘Yesterday’ is considered to be the one by the English singer Matt Monro,’ (1930-1985) who took advantage of the Beatles refusal to release the song as a single in the UK, by taking his recording to Number 8 in 1965, the two other top 40 hit recordings of the song in the UK apart from the Beatles, are by Marianne Faithfull, (1946-2025) (1965-Number 36) and Wet Wet Wet (1997-Number 4.) In 2012, the BBC reported that ‘Yesterday’ remained the fourth most successful song of all time in terms of royalties paid, having amassed a total of £19.5 million in payments.

‘Why she had to go I don’t know she wouldn’t say. I said something wrong, now I long for yesterday.’

THE 1000 BEST SONGS IN THE WORLD EVER.

320-U2-One.

1992-Number 7 single.

Best Bit-At 4.08. These are some of the many accolades. ‘Today FM’ voted the song the best Irish song ever. In a survey by the music channel ‘VH1′ to find the UK’s favourite song lyric,’One life, with each other, sisters, brothers,’ was voted the top, and in 2005 in their list of the ‘1001 Best Songs Ever,’ ‘Q’ magazine had this song as their Number 1.

It probably wouldn’t be an exaggeration to say that if it hadn’t have been for this song then U2 (see also best songs 766-190 and 84) would have split before the release of their seventh studio Album ‘Achtung Baby’ in 1991. The band were exhausted after completing the ‘Lovetown Tour’ in 1989-1990, following the release of their sixth Album ‘Rattle and Hum’ which had been critically slated by some music critics, leading to the bands members arguing about which musical direction to take next. In October 1990 U2 arrived in Berlin to work on ideas for what would become their seventh studio Album ‘Achtung Baby.’ On the making of ‘One’ The Edge has said, ‘At the instant we were recording it, I got a very strong sense of it’s power. We were all playing together in the big room, a huge eerie ballroom full of ghosts of the war, and everything fell in to place. It was a reassuring moment, when everyone finally went ‘Oh great,’ this album has started.’

‘One’ was the third of five singles released from ‘Achtung Baby,’ the seventh studio Album by U2, from November 1991, the songs writing is credited to all four band members, Bono, (vocals) The Edge, (guitar) Adam Clayton, (bass guitar) and Larry Mullen Jr., (drums) with the production being by Daniel Lanois, (see also best songs 766 and 190) who provided additional guitar, and Brian Eno, (see also best songs 766-302-190-118-109 and 57) who provided additional keyboards. The lyrics to ‘One’ were written by Bono, who has spoken about the songs meaning, ‘It’s a father and son story. I tried to write about someone I knew who was coming out and was afraid to tell his father. It’s a religious father and son, I have lots of gay friends, and I’ve seen them screwed up from unloving family situations, which just are completely anti-Christian. If we know anything about God, it’s that God is love, that’s part of the song, and then it’s also about people struggling to be together, and how difficult it is to stay together in this world, whether your in a band or a relationship.’ In the 2006 autobiography ‘U2 by U2,’ The Edge wrote, ‘The lyric was the first in a new, more intimate style. It’s two ideas, essentially. On one level it’s a bitter, twisted, vitriolic conversation between two people who’ve been through some nasty, heavy stuff: ‘We hurt each other, then we do it again.’ But on another level there’s the idea that ‘we get to carry each other.’ ‘Get to’ is the key. ‘Got to’ would be too obvious and platitudinous. ‘Get to’ suggests it is our privilege to carry one another. It puts everything in perspective and introduces the idea of grace.

Bono was born Paul David Hewson, on May 10th, 1960, in Dublin, Ireland, away from music he is an activist for social justice causes, both through U2, and as an individual. He is particularly active in campaigning to fight extreme poverty and HIV/AIDS in Africa, for which he co-founded ‘DATA,’ ‘EDUN,’ the ‘ONE Campaign,’ and ‘Product Red.’ Bono has received numerous honours including being granted an ‘honorary knighthood’ by Elizabeth II of the United Kingdom in 2007, being made a ‘Commandeur of the French Ordre des Arts et des Lettres’ (Order of Arts and Letters) in 2013, and receiving the ‘Presidential Medal of Freedom’ in the United States’ in 2025. During his childhood Bono and his friends had a ritual of giving each other nicknames, one of which was ‘Bono Vox,’ which was shortened to ‘Bono.’ The name derives from the Latin phrase for ‘good voice,’ he has been known as ‘Bono’ by his friends and family since the age of 14.

‘One’ was co-produced by Daniel Lanois, (see also best songs 766 and 190) who was born Daniel Roland Lanois, on September 19th, 1951, in Hull, Quebec, Canada, he is music producer, musician, and songwriter, who specialises in the genres of ‘Rock,’ ‘Alternative Rock,’ and ‘Ambient’ music. Daniel Lanois who was inducted into ‘Canada’s Walk of Fame’ in June 2013, has worked on the production of six of U2’s studio Albums, he has also produced Albums for several other artists, including Bob Dylan, (Oh Mercy-1989, Time Out of Mind-1997) and Peter Gabriel, (Birdy-1985, So-1986, and Us-1992.) Lanois has released eight solo studio Albums between 1989-2022, and a further three collaborative Albums between 2010-2018.

‘One’ which was released as the third single from ‘Achtung Baby’ was essentially a charity single, as proceeds were donated to AIDS research, with each country it sold in, receiving the royalties earned from there, for example it reached Number 2 in Italy, Number 3 in New Zealand, and Number 10 in America. In 2005 Bono was the co-founder of the ‘One’ campaign, which is an organisation that was set up to put pressure on the United States government to give an additional 1% of it’s budget to help poor regions in Africa. In 2006 the American singer Mary J. Blige (see also best songs 359) covered ‘One’ for her seventh studio Album ‘The Breakthrough.’ Bono provided additional vocals to the track while The Edge, (guitar) Adam Clayton, (bass) and Larry Mullen Jr., (drums) also performed on the song which reached Number 2 in the UK. A cover version of ‘One’ was also a hit for the British Soul singer Mica Paris, reaching Number 29 in the UK in 1995.

‘You say love is a temple, love is a higher law. You ask of me to enter, but then you make me crawl, and I can’t keep holding on to what you got, ’cause all you got is hurt.’

THE 1000 BEST SONGS IN THE WORLD EVER.

321-Glenn Miller and His Orchestra with Tex Beneke and The Four Modernaires-Chattanooga Choo Choo.

1941-It has never charted in the UK. There was no UK chart until 1952.

Best Bit-At 2.53. This was the first song ever to be presented with a Gold Disc for sales in excess of 1 million copies.

‘Chattanooga Choo Choo’ was co-written by the legendary song writing duo of Mack Gordon (1904-1959) (see also best songs 877 and 775) who wrote the lyrics, and Harry Warren, (1893-1981) (see also best songs 877-775 and 396) who composed the music. Mack Gordon and Harry Warren were commissioned to write some of the music for the 1941 American musical film ‘Sun Valley Serenade,’ which was in some part made to showcase the talents of the Glenn Miller Orchestra (see also best songs 808 and 146.) In the film there is a near eight minutes scene of the Glenn Miller Orchestra, along with Paula Kelly, (1919-1992) and Tex Beneke, (1914-2000) who both provided vocals, along with The Four Modernaires, and also the singing and dancing of Dorothy Dandridge, (1922-1965) and ‘The Nicholas Brothers,’ Fayard, (1914-2006) and Harold, (1921-2000) which is the films most celebrated and memorable scene. The studio recording of ‘Chatanooga Choo Choo’ at 3 minutes and 26 seconds was also recorded by the Glenn Miller Orchestra, with Ted Beneke, and The Four Modernaires, with their female singer Paula Kelly providing the female vocals. The studio version was recorded on May 7th, 1941, and originally released as the ‘B’ side to ‘I Know Why (And So Do You,’) it went on to reach Number 1 in America on December 7th, 1941, and would stay at the top for nine consecutive weeks.

The lyrics for ‘Chattanooga Choo Choo’ were written by Mack Gordon, who was born Morris Gittler, on June 21st, 1904, in Grodno, which is now western Belarus, but was was then part of the Russian Empire, he died on February 28th, 1959, at the age of 54. Mack Gordon emigrated with his mother and older brother to New York City in 1907, to join up with his father who had settled in America earlier. During Gordon’s career as a lyricist he worked with several other composers, but notably with Harry Warren, with whom he wrote this song. Gordon’s songs have been used in over 100 films, with him being specifically commissioned to write for over half of them, in total he wrote in excess of 120 songs. Other notable songs he provided the lyrics for, include ‘At Last,’ which became the signature song for Etta James, (1938-2012) and ‘You Make Me Feel So Young,’ which was recorded by Frank Sinatra (1915-1998) (see also best songs 877-567-469-120 and 73) in 1956.

The male solo vocal on ‘Chattanooga Choo Choo’ was provided by Tex Beneke, who was born Gordon Lee Beneke, on February 12th, 1914, in Fort Worth, Texas, United States, he died from respiratory failure on May 30th, 2000, at the age of 86. Tex Beneke was a saxophonist, singer, and bandleader, who first joined the Glenn Miller Orchestra in 1938 as a sax player, and almost immediately becoming the bands primary tenor sax soloist, playing on classic songs, including ‘In the Mood,’ (1939) and ‘A String of Pearls’ (1941.) Glenn Miller (1904-1944) went missing on December 15, 1944, while flying to France from England. After World War II, the United States Army Air Force decommissioned the ‘Glenn Miller led Army Air Force band,’ after which the Miller estate authorised an official Glenn Miller ‘ghost band’ in 1946, this band was led by Tex Beneke, who as time went on had more prominence in the band’s identity.

Mack Gordon and Harry Warren had got their inspiration for writing the ‘Chattanooga Choo Choo’ while travelling on the ‘Southern Railway’s Birmingham Special’ train, this was one of three trains operating from New York City via Chattanooga. ‘The Birmingham Choo Choo’ didn’t sit well with Mack Gordon’s lyrics so he chose the name of another train,’The Chattanooga,’ which was a wood burning steam locomotive owned by the ‘Cincinnati Southern Railway,’ that travelled from Cincinnati to Chattanooga, it was a newspaper reporter who first dubbed it the ‘Chattanooga Choo Choo.’ The song cleverly references lyrics from well known songs of the previous two decades, such as, ‘Nothing could be finer than to have your ham and eggs in Carolina,’ (Carolina in the Morning-1922) ‘When you hear the whistle blowin,” (Beat Me Daddy, Eight to the Bar-1940) and ‘Satin and lace, I used to call funny face’ (Funny Face-1927.)

‘Chattanooga Choo Choo’ tells of the delights of travelling on that train, and because it is such an enjoyable journey, the day flies by as he spends time in the diner. The narrator also tells us that the purpose for his train ride is so he can meet up with his sweetheart who he hasn’t seen for a while, where he will promise her that he will never leave her side again.

‘There’s gonna be a certain party at the station, satin and lace I used to call funny face. She’s gonna cry until I tell her that I’ll never roam, so Chattanooga Choo Choo won’t you choo choo me home.’

THE 1000 BEST SONGS IN THE WORLD EVER.

322-Lou Rawls-You’ll Never Find Another Love Like Mine.

1976-Number 10 single.

Best Bit-At 2.13. Lou Rawls released 53 Albums, he also had a substantial acting career, performing in 15 films, he was also a voice over in cartoons, and appeared in commercials endorsing products. In 1955 he enlisted in the United States Army as a paratrooper, where he made 26 jumps, he left the army three years later as a Sergeant. In 1980 he started the charity, the ‘Lou Rawls Parade of Stars Telephon,’ an annual event which has raised to date over US$200 million. I don’t know what he did in his spare time though!

Lou Rawls was born Louis Allen Rawls on December 1st, 1933, in Chicago, Illinois, United States, he died of cancer on January 6th, 2005, at the age of 72. He started singing Gospel at the age of seven, and after graduating from high school he briefly sang with Sam Cooke (1931-1964) (see also best songs 156) in the ‘Teenage Kings of Harmony’ Gospel group, before moving to Los Angeles, where he joined another Gospel group, the ‘Pilgrim Travelers.’ Lou Rawls would later sing again with Sam Cooke, as backing vocalist on Cooke’s 1962 single ‘Bring It On Home to Me,’ (Billboard Number 13 hit) and ‘That’s Where It’s At,’ in 1964. In 1958, while touring the American South with the ‘Pilgrim Travelers,’ and Sam Cooke, Lou Rawls was involved a car crash. He was pronounced dead before arriving at the hospital, where he stayed in a coma for five and a half days. He spent a year recuperating, and it was several months before his memory returned. He considered the crash a life changing event. In 1980 Lou Rawls began the ‘Lou Rawls Parade of Stars Telephon,’ which benefits the ‘United Negro College Fund’. It became an annual event, and in 1998 it became known as ‘An Evening of Stars: A Celebration of Educational Excellence.’ The event raised over $200 million in 27 shows for the charity, through until 2006. In 1982 he received a star on the ‘Hollywood Walk of Fame,’ and in 2021 he was posthumously inducted into the ‘Rhythm & Blues Hall of Fame.’

The discography of Lou Rawls who was known for his rich baritone voice, includes 53 Albums released between 1962-2006, and at least 36 singles released between 1959?-1987. In America on the Billboard Hot 100, six of his singles have reached the top 40, with ‘You’ll Never Find Another Love Like Mine,’ peaking the highest at Number 2, while 18 of his singles have made the Billboard ‘Hot R&B/Hip-Hop Songs’ top 40, with ‘Love Is a Hurtin’ Thing,’ (1966) and ‘You’ll Never Find Another Love Like Mine,’ (1976) both reaching the Number 1 position. In the UK, Lou Rawls only top 40 charting single is ‘You’ll Never Find Another Love Like Mine,’

‘You’ll Never Find Another Love Like Mine’ was co-written, and co-produced by the legendary songwriting team of Kenny Gamble and Leon Huff, (see also best songs 1001-896-725-648-604-571-448 and 258) and was the first of two singles released from Lou Rawls’ 27th Album release, and his first of six Albums for ‘Philadelphia International Records,’ ‘All Things in Time,’ from June 1976. In an attempt to lure Lou Rawls to their record label ‘Philadelphia International,’ Kenny Gamble and Leon Huff pacifically wrote ‘You’ll Never Find Another Love Like Mine’ for him.

By 1976 ‘Philadelphia International Records’ had taken over from ‘Tamla Motown’ as the worlds number one producers of quality ‘Soul’ music, and they were now also leading the way in the production of ‘Disco’ music, with many of the labels artists, including this song, being backed by the labels in house studio band ‘M.F.S.B.’ In total ‘M.F.S.B.’ had 32 different members come and go between their forming in 1971, through until their disbanding in 1985. Due to a disagreement with Gamble and Huff shortly before the recording of this song over finances, several of the group members moved on to ‘Salsoul Records,’ where they became known as the ‘Salsoul Orchestra,’ other members began performing as ‘The Ritchie Family Orchestra.’ As for what ‘M.F.S.B.’ stood for, there are two explanations. The clean one is ‘Mother, Father, Sister, Brother,’ and the rude one is ‘Mother-Fuc#in’, Son of-a-Bitch,’ an expression which was used among the musicians to compliment a person’s musical prowess. The discography of ‘M.F.S.B.’ who also recorded for ‘Philadelphia International Records’ in their own right, includes seven studio Albums released between 1973-1980, and 17 singles released between 1973-1994, there are also six official compilation Albums available. In America on the Billboard Hot 100, their only top 40 charting single was ‘TSOP (The Sound of Philadelphia,’ featuring The Three Degrees,’ which reached Number 1 in 1974, the song had been written by Kenny Gamble and Leon Huff as the theme for the American musical television program ‘Soul Train.’ In the UK, ‘M.F.S.B.’ have had three top 40 hits, with ‘TSOP (The Sound of Philadelphia,’ featuring The Three Degrees,’ peaking the highest at Number 22.

‘You’ll Never Find Another Love Like Mine’ which provided Lou Rawls with his first Billboard hit in seven years, had it’s instrumentation provided by ‘M.F.S.B. Due to the splintering of ‘M.F.S.B.’ the ‘house band’ at ‘Philadelphia International Records’ at around the time of recording, it is difficult to find information as to which musicians played on the track. It is safe to assume that ‘M.F.S.B.’ founding member Bobby Eli (1946-2023) provided instrumentation, as he was credited as the Albums arranger. The American guitarist Dennis Harris (see also best songs 258) played the guitar intro, while fellow American T. J. Tindall, (1950-2016) who played on over 30 hits produced by Gamble and Huff, was also a guitarist on the track.

‘You’ll Never Find Another Love Like Mine,’ is a warning to the girl, that if she let’s the guy go, she will spend the rest of her life looking for someone just like him. The song was written around the time that Kenny Gamble was going through a divorce from the singer Dee Dee Sharp (see also best songs 1001.)

‘You’ll never find, it’ll take the end of all time, someone to understand you like I do. You’ll never find the rhythm the rhyme, all the magic we shared just us two.’

THE 1000 BEST SONGS IN THE WORLD EVER.

323-Leftfield featuring John Lydon-Open Up.

1993-Number 13 single.

Best Bit-At 0.53. When two of Electronic Dance Music’s most innovative artists team up with a ‘National Treasure,’ there is a fairly good chance of something special occurring.

Leftfield were formed in London, England, in 1989 by Neil Barnes, and Paul Daley, they are considered to be very influential in the evolution of ‘Electronic Dance Music’ in the early 1990’s. In 1992 in a review in the British dance music and clubbing magazine ‘Mixmag,’ the writer described their sound as ‘Progressive House,’ thus defining a new genre of music. The word ‘Progressive’ had previously appeared in music in the mid 1960’s, when used to describe artists who were creative with Rock Music. Prior to forming Leftfield, Neil Barnes had been playing percussion as a session musician, but after being inspired by the music of Afrika Bambaataa (see also best songs 716) he decided to have a go at producing Electronic Dance Music, resulting in the first two singles, ‘Not Forgotten,’ (1990-UK-Number 120) and ‘More Than I Know,’ (1991-UK-Number 98) being released under the ‘Leftfield’ name. For the remixes of the tracks Barnes brought in Paul Daley who was the percussion player with the Dance act ‘A Man Called Adam,’ on realising they had a lot in common they joined forces to become ‘Leftfield.’ The duo were active until 2002, but in 2010 Barnes revived Leftfield, with Daley declining to get involved. Since then Barnes has toured and recorded under the name Leftfield with other artists, and at the time of writing they remain active.

The discography of Leftfield includes four studio Albums released between 1995-2022, and 20 singles released between 1990-2023, there are also three official compilation Albums, and one live Album available. Leftfield have also remixed tracks since 1991 for several artists, including the David Bowie single ‘Jump They Say,’ (1993) and the David Arnold ‘Shaken and Stirred: The David Arnold James Bond Project’ (1997.) In the UK, all four of their studio Albums have made the top 20, with their second studio Album ‘Rhythm and Stealth,’ (1999) reaching Number 1, while six of their singles have made the UK top 40, with ‘Afrika Shox, featuring Afrika Bambaataa, peaking the highest at Number 7 in 1999. Leftfield have never charted on the American Billboard Hot 100 singles chart, but two of their tracks ‘Song of Life,’ (1992-Number 27) and ‘Afro-Left,’ featuring Djum Djum, (1995-Number 20) have both made the Billboard ‘Dance Club Songs’ chart.

‘Open Up’ was first released as a single by Leftfield in November 1993, and then appeared on the debut studio Album from Leftfield, called ‘Leftism,’ from January 1995. ‘Open Up’ which is the second of five singles released from the Album, was co-written by Neil Barnes, and Paul Daley of Leftfield, along with the songs vocalist John Lydon, (see also best songs 967-576-92 and 27) who wrote the lyrics. Leftfield made a point of using several different guest vocalists on their songs, all of whom had little to do with ‘Dance Music.’ On the ‘Leftfield’ Album for example, guest vocalists included the Jamaican Reggae singer, Earl Sixteen, Toni Halliday of the English Rock group ‘Curve,’ the Swedish Rapper Papa Dee, and of course the ‘Punk Rock’ artist John Lydon.

The story goes that one of Neil Barnes’ friends knew John Lydon, and he introduced him to Lydon when he was 19 years old. Once Barnes formed Leftfield with Paul Daley, Barnes was always on the lookout for a suitable song for Lydon to sing on. Barnes has said, ‘We had to do something that warranted getting John in. We were terrified that we’d do something second rate. We worked on the bassline until we got it right, spinning in records endlessly, trying different breaks to get the right feel for it, changing the hi-hat rhythm 100 times, different bass drums… We’d push things sonic-ally as far as we could.’ John Lydon has said, ‘They brought me over to the studio one night, and I more or less just free-formed it. I’d been running the ideas through my mind almost constantly, so it was all just waiting for the pen to hit the page. There’s so many different issues that run rampant in your mind when you put songs together. The best songs are when you draw conclusions from all those issues that are part of that same conglomerate that we’re presented with. In my book ‘Open Up’ is all flashing lights, that’s how I remembered it, writing it and thinking about it and being in the studio. I used the traffic lights scenario. Red is of course the warning, you could ruin this if you’re not careful.’

‘Open Up’ includes the line ‘burn Hollywood burn,’ Lydon has said that the song was partly about him not being given a part in a movie, but it was only ‘some of it.’ ‘Open Up’ is probably a scathing attack on all the opulent excesses, and fake lifestyles of the people who attempt to live the Hollywood ‘dream.’

‘Lose myself inside your schemes, go for money honey, not the screen, be a movie star, blah blah blah, go the whole hog, be bigger than God.

THE 1000 BEST SONGS IN THE WORLD EVER.

324-White Stripes-Seven Nation Army.

2003-Number 7 single.

Best Bit At 0.01. Jack and Meg White hated that journalists wanted to know all about their private life, so they told them that they were brother and sister, when they were really man and wife, (which could have left them with some right old explaining to do.)

The White Stripes were formed in 1997, in Detroit, Michigan, United States, by the husband and wife duo of Jack and Meg White who had married in 1996, although the couple divorced in 2000, they continued working together as White Stripes through until the band split in 2011. They took the bands name from Meg’s love of Peppermints, Jack explained, ‘We were going to call ourselves the Peppermints, but since our last name was White, we decided to call it the White Stripes.’ The discography of the White Stripes includes six studio Albums released between 1999-2007, and 28 singles released between 1998-2020, there is also one extended play, (EP) one official compilation Album, and 13 live Albums available. In America on the Billboard Hot 100, their only top 40 charting single is ‘Icky Thump,’ which made Number 26 in 2007, while ‘Seven Nation Army’ stalled at Number 76. The White Stripes have had 11 of their singles reach the American Billboard ‘Modern Rock Tracks’ chart top 40, with ‘Seven Nation Army,’ and ‘Icky Thump,’ both reaching Number 1. In the UK, they have had 13 top 40 chart entries, with ‘Icky Thump,’ peaking the highest at Number 2.

Jack White was born John Anthony Gillis, on July 9th, 1975, in Detroit, Michigan, United States, in a somewhat unusual move, when he married Meg White, he took her surname. Jack White is one of the most celebrated musicians of the late 20th, and early 21st Century, particularly for his recording technique and guitar playing. He is credited with the revival of ‘Garage Rock’ music, which he blended with his ‘Blues’ influences. Aside from the White Stripes, Jack White has also released six solo studio Albums between 2012-2024, and 20 singles between 2004-2025. He is also a member of the American Rock group ‘The Raconteurs,’ with whom he has recorded three studio Albums, and 13 singles between 2006-2019, with three of those singles making the UK top 40, with ‘Steady As She Goes,’ charting the highest at Number 4 in 2006. Jack White has also recorded three studio Albums, and 11 singles with the American Rock ‘supergroup’ ‘The Dead Weather’ between 2009-2017, with three of those singles reaching the American Billboard ‘Alternative Airplay’ top 40, with ‘Die by the Drop,’ peaking the highest at Number 20 in 2010.

Meg White was born Megan Martha White, on December 10th, 1974, in Grosse Pointe Farms, Michigan, United States, she achieved international fame as the drummer of the rock duo the White Stripes, she also provided backing vocals, and occasionally sang lead vocals. Meg White is considered a key artist of the 2000’s ‘Garage Rock’ revival, and her style of drumming has been called ‘minimalistic’ and ‘simplistic’ by music critics. In 2015, the American music magazine ‘Rolling Stone’ included her on their ‘100 Greatest Drummers of All Time’ list. In 2009 she married for a second time, her new husband was the guitarist Jackson Smith, who is the son of the musicians Patti Smith, and Fred ‘Sonic’ Smith, (1948-1994) (see also best songs 155) they divorced in 2013. It is said that Meg White suffers from acute anxiety, and has described herself as ‘very shy.’ She has said that she ‘Never really cared about all the things that other people cared about, you know? Like, people recognising me on the street never interested me. I’ve always been kind of suspicious of the world, anyway, so it’s pretty easy for me to live in my own little world.’ At the time of writing she has not made any public appearances since 2009.

‘Seven Nation Army’ was the first of four singles released from ‘Elephant,’ which was the fourth studio Album by the White Stripes, from April 2003, the song was co-written by Jack and Meg White, with the production being bu Jack White. ‘Seven Nation Army’ started out as a guitar riff written by Jack White at the ‘Corner Hotel’ in Melbourne, Australia, when the White Stripes were on tour in 2002. White knew straight away he had something special, and initially he decided to save it thinking it would make a great ‘James Bond theme,’ but in time he realised that there would be little chance of them coming to call. Ironically in 2008 White did receive the call, when he composed, and co-sang ‘Another Way to Die’ with Alicia Keys, (2008-Billboard Number 8 & UK Number 3) the theme to the James Bond film ‘Quantum of Solace.’ After writing the guitar riff White gave it a name, he called it ‘Seven Nation Army’ because as a child he had thought that the ‘Salvation Army’ were actually called ‘Seven Nation Army,’ something he had misheard.

Jack and Meg White felt that the press would often intrude on their privacy, and the songs lyrics are Jack saying that no matter how much you delve into our private lives, we will not be bullied by you.

‘I’m gonna fight ’em all, a seven nation army couldn’t hold me back. They’re gonna rip it off, taking their time right behind my back.

THE 1000 BEST SONGS IN THE WORLD EVER.

325-Bon Jovi-Livin’ on a Prayer.

1986-Number 4 single.

Best Bit-At 0.21. Every mobile DJ, and every party DJ, probably plays this, religiously.

Jon Bon Jovi, (see also best songs 959) was born John Francis Bongiovi Jr. on March 2nd, 1962, in Perth Amboy, New Jersey, United States, he is one of the founding members of Bon Jovi, who were founded in 1983 in Sayreville, New Jersey, New York, United States. The band remain active with Jon Bon Jovi, Tico Torres, and David Bryan being the only three remaining members from the original line up. With record sales in excess of 130 million, they are one of the worlds best selling artists of all time, music critics have credited them with bridging the gap between ‘Heavy Metal,’ and ‘Pop.’ Aside from being the lead singer, songwriter, and guitarist for Bon Jovi, Jon Bon Jovi has also had a career as an actor, appearing in 15 films between 1990-2024, and also on television, in high profile shows such as ‘Sex and the City,’ and ‘Ally McBeal. He has released two solo studio Albums, ‘Blaze of Glory,’ in 1990, and ‘Destination Anywhere,’ in 1997, and 17 singles between 1990-2015, there are also two official compilation Albums, and one live Album available. In America on the Billboard Hot 100, two of his singles have reached the top 40, with his debut solo single ‘Blaze of Glory,’ making Number 1 in 1990, while in the UK, he has had seven top 40 solo hits, with ‘Midnight in Chelsea,’ peaking the highest at Number 4 in 1997.

‘Livin’ on a Prayer’ was the second of four singles released from ‘Slippery When Wet,’ which was the third studio Album by Bon Jovi, from August 1986, the Album has sold in excess of 18 million copies worldwide, making it one of the top 100 best selling Albums of all time. ‘Livin’ on a Prayer’ was co-written by Bon Jovi group members, Jon Bon Jovi, and Richie Sambora, along with Desmond Child, with the production being by Bruce Fairburn (1949-1999.) Bon Jovi’s first two studio Albums, their self titled debut from 1984, and ‘7800 Fahrenheit,’ from 1985, were a mixture of ‘Hard Rock,’ and ‘Glam Metal,’ with both achieving moderate success. The band realised that if they were to take things to the next level they would need to create a more radio friendly sound. This led to the hiring of the songwriter and music producer Desmond Child, who already had a proven track record. Desmond Child was born John Charles Barrett, on October 28th, 1953, in Gainesville, Florida, United States, he took his working name partly from a duo he had in mind of forming when at school called ‘Night Child.’ As well as working on a further eight Bon Jovi Albums, Desmond Child’s other career highlights include co-writing ‘I Was Made for Lovin’ You,’ for Kiss, (1979-Billboard Number 11) and writing for dozens of other artists, including Alice Cooper, and Meatloaf. Desmond Child was also the co-writer of ‘Livin’ la Vida Loca,’ the U.S., and UK Number 1 hit in 1999 for Ricky Martin. Desmond Child has spoken about his inspiration for writing ‘Livin’ On a Prayer,’ ‘Paul Stanley taught me how to write stadium anthems the Kiss way, in which the protagonist is always the winner. There’s always victory. And the music is also lifting constantly upwards. I used those kinds of ideas or feelings in my collaborations with Jon Bon Jovi and Richie Sambora for the band Bon Jovi. The most perfect example of that is ‘Livin’ On A Prayer.’

‘Livin’ on a Prayer’ and it’s parent Album ‘Slippery When Wet’ were produced by Bruce Fairburn, who was born Bruce Earl Fairbairn, on December 30th, 1949, in Vancouver, British Columbia, Canada, he died on May 17th, 1999, of a cerebral haemorrhage, at the age of 49. Following ‘Slippery When Wet,’ Bruce Fairburn also produced the next Bon Jovi Album ‘New Jersey,’ in 1988. Other significant Albums he produced include three for Aerosmith, between 1987-1993, as well as Albums by AC/DC, Van Halen, and INXS. At the time of his death he was due to travel to New York to meet Bon Jovi to discuss another Album together. In March 2000, he was posthumously awarded the ‘Canadian Music Hall of Fame Juno Award’ for his work.

Richie Sambora used a ‘talkbox’ on ‘Livin’ on a Prayer’ which gave it a very distinctive sound. A talkbox is an electronic device that allows a guitar player to make distorted sounds with his mouth. The most famous example of a talkbox is the one used on a recording by the English Rock singer Peter Frampton on his 1976 Album ‘Frampton Comes Alive.’ Other songs on this ‘1000 Best Songs’ list to use a talkbox include, The Electric Light Orchestra, (see also best songs 25) and Herbie Hancock (see also best songs 713.)

‘Livin’ on a Prayer’ is the story of Tommy and Gina who are a working class couple struggling to make ends meet. Tommy loses his job as a dockworker because of a strike, while Gina works as a waitress in a diner. The characters Tommy and Gina were loosely based on a real life situation that Desmond Child had encountered in the 1970’s with his then girlfriend Maria Vidal, with whom he was living. At that time Child was a taxi driver, and Vidal was a singing waitress in a diner. Maria Vidal who would go on to have a 1984 UK Number 11 hit with ‘Body Rock,’ was nicknamed ‘Gina’ due to her physical resemblance to the Italian actress and photographer Gina Lollobrigida (1927-2023.) In 2000 Jon Bon Jovi reintroduced Tommy and Gina in the song ‘It’s My Life,’ and in 2002 he said that he wrote the song as a response to the Reagan Era, adding, ‘trickle-down economics are really inspirational to writing songs.’

‘Tommy’s got his six string in hock, now he’s holding in what he used to make talk, so tough, it’s tough. Gina dreams of running away, when she cries in the night, Tommy whispers, ‘Baby it’s okay, someday,’

THE 1000 BEST SONGS IN THE WORLD EVER.

326-? and the Mysterians-96 Tears.

1966-Number 37 single.

Best Bit-At 0.04. In the piecing together of the development of ‘Rock Music,’ and learning about how the previous generation influenced the next, this band, and this song, were definitely an inspiration. Of that there is no question.

The Mysterians were formed in 1962 in Bay City, and Saginaw, Michigan, United States, by Larry Borjas, (guitar) Robert Martinez, (drums) and Bobby Balderrama, (lead guitar) the three of them were all sons of migrant farmers who had settled in Michigan, they took their name from the 1957 Japanese science fiction film ‘The Mysterians.’ Their initial motivation was the instrumental ‘Surf Rock’ music of artists such as Link Wray, (1929-2005) (see also best songs 301) and Duane Eddy, (1938-2024) but after the ‘British Invasion’ they decided they also needed a vocalist, after hearing the Beatles, (see also best songs 599-456-319-238-218-141-80-51-10 and 6) and The Rolling Stones (see also best songs 933-662-452-160 and 77.) The new vocalist was Rudy Martinez, the brother of Robert, who went by the stage name of ‘Question Mark.’ To cement this new line up they became ‘? and the Mysterians,’ the original quintet were completed by the recruiting of keyboard player Frank Rodriguez. Prior to the recording of ’96 Tears’ in 1966, both Larry Borjas, and Robert Martinez received draft notices and opted to enlist to avoid being sent to Vietnam, after auditions Eddie Serrato (1945-2011) became the replacement drummer. ‘? and the Mysterians’ who have seen 20 members come and go, have never officially been retired, but have had periods where they have been on hiatus.

The discography of ? and the Mysterians includes four studio Albums released between 1966-1999, and 15 singles released between 1966-2012, there are also three official compilation Albums, and two live Albums available. Although ’96 Tears’ found great success on Billboard in America, their Album of the same name didn’t, stalling at Number 66 on the ‘Billboard 200 Album’ chart, and providing them with their only entry on that chart. On the ‘Billboard Hot 100,’ two of their singles have reached the top 40, with ’96 Tears’ making Number 1, and the follow up, ‘I Need Somebody,’ also in 1966, reaching Number 22. In the UK, ? and the Mysterians only chart entry is ’96 Tears.’

’96 Tears’ was the first released single recorded by ? and the Mysterians, and was the first of two singles issued from their debut studio Album of the same name, from November 1966, the song was written and produced by Rudy Martinez, who when asked why 96?, said that the number 96 has ‘A deep, philosophical meaning,’ but he has refused to elaborate any further. The organ riff on the track was played by Frank Rodriguez on a ‘Vox Continental,’ although the organ had been used on previous hits, (see also best songs 851) the playing of it on this track, would lead to it’s use on future hit singles, (see also best songs 235) and also by countless other wannabee hit makers.

In 1971 the ‘Rock Music’ critic and writer Dave Marsh, wrote a piece for the American Rock Music magazine, ‘Creem,’ where when writing about ‘? and the Mysterians,’ called them ‘Punk Rock,’ this was the first time ‘Punk Rock’ had ever been mentioned, and Marsh is credited with coining the term. ‘? and the Mysterians’ are also retrospectively remembered as one of the first ‘Garage Rock’ bands, a term that was not used until the early 1970’s. ‘? and the Mysterians’ were considered the archetypal American ‘Garage Rock’ band.

‘Garage Rock’ (see also best songs is a raw and energetic style of ‘Rock Music’ that was at it’s peak in the mid-1960’s, most notably in the United States and Canada. The style is characterised by basic chord structures played on electric guitars and other instruments, sometimes distorted through a fuzzbox, as well as often with unsophisticated and occasionally aggressive lyrics and delivery. ‘Garage Rock’s’ name derives from the perception that groups were often made up of young amateurs who rehearsed in the family garage, although many were professional. During the 1960’s, Garage Rock was not recognised as a distinct genre and had no specific name, but critical hindsight in the early 1970’s, and especially the 1972 compilation Album ‘Nuggets,’ did much to define and memorialise the style. ‘Nuggets: Original Artyfacts from the First Psychedelic Era, 1965–1968,’ was a compilation Album created by the American guitarist, composer, and writer, Lenny Kaye, featuring the music of some of that era’s most influential ‘Garage Rock,’ and ‘Psychedelic Rock’ acts.

’96 Tears’ are not the narrators tears. He has been given the elbow by his partner, and plans to get back with them in order to make then suffer how he has suffered, by then splitting up with them, in order to get his own back.

‘You’re way on top now since you left me, you’re always laughing way down at me, but watch out now, I’m gonna get there.’

THE 1000 BEST SONGS IN THE WORLD EVER.

327-Nat King Cole-Smile.

1954-Number 2 single.

Best Bit-At 0.08. Michael Jackson (1958-2009) (see also best songs 812-511-249-191 and 137) often cited ‘Smile’ as his favourite song. In 2009 at Jackson’s memorial, his brother Jermaine (see best songs 570) sang a version in Michael’s honour.

The original version of ‘Smile’ was written by Charlie Chaplin (1889-1977) for the 1936 American silent comedy ‘Modern Times.’ The film which was also written, produced, and directed by Chaplin is a comment on the desperate employment and financial conditions many people faced during the ‘Great Depression.’ In 1989 the film was one of the first 25 films selected by the ‘Library of Congress,’ for preservation in the United States ‘National Film Registry,’ for being culturally, historically, or aesthetically significant.

Sir Charles Spencer Chaplin Jr. was born on April 16th, 1889, in London, England, he died after suffering a stroke in his sleep on December 25th, 1977, at the age of 88. Chaplin who had been born in to severe poverty, went on to become the ultimate ‘rags to riches’ story. Through his onscreen persona of ‘The Tramp’ Chaplin became a worldwide icon. Chaplin was a perfectionist, and due to his high profile and financial position was able to spend as long as he wished perfecting his films.

Although Charlie Chaplin is given sole credit for the writing of ‘Smile,’ and the film score for ‘Modern Times,’ this has been hotly disputed by Alfred Newman, (1900-1970) and David Raskin (1912-2004.) Newman had collaborated with Chaplin on a previous film ‘City Lights’ in 1931, and towards the end of the ‘Modern Times’ soundtrack recording sessions Chaplin and Newman had a falling out, leading to Newman’s angry departure. According to David Raskin, it was he who wrote the music as a young man. He said that Chaplin would often sit in the washroom, humming tunes and telling Raskin to ‘take this down.’ Raskin said his job was to turn the humming into a score, and create timings and synchronisation that fit the situations. David Raskin who was born on August 4th, 1912, in Philadelphia, Pennsylvania, United States, and died on August 9th, 2004, at the age of 92, was noted for his work in film and television, he had more than 100 film scores, and 300 television scores to his credit. Some sources called him the ‘Grandfather of Film Music.’ David Raskin is probably best remembered for his score for the 1944 American film ‘Laura.’

In 1954 the lyricists John Turner, (1902-1982) and Geoffrey Parsons, (1910-1987) wrote the lyrics for ‘Smile.’ John Turner ran the ‘Peter Maurice Music Company’ who employed Geoffrey Parsons, the company specialised in adapting songs originally written in foreign languages into English, Parsons would work on the translation and Turner would suggest some changes. Other well known translations by Turner and Parsons include ‘O mein Papa,’ which when recorded in English by Eddie Fisher (1928-2010) in 1954, became an American Billboard Number 1, and ‘Auf Wiederseh’n, Sweetheart,’ which became an American Billboard Number 1 single for Vera Lynn (1917-2020) (see also best songs 172 and 49) in 1952.

‘Smile’ has been recorded by many of the world’s top artists, with the first version with lyrics being this version by Nat King Cole (1919-1965) (see also best songs 988-226 and 161) in 1954, with the orchestration being by Nelson Riddle (1921-1985) (see also best songs 877-286 and 73.) The Nat King Cole recording which was issued as a stand alone single, reached Number 10 on Billboard in America, and Number 2 in the UK. Other notable recordings include the one from Michael Jackson, (1958-2009) (see also best songs 812-511-249 and 191) who included the song on his 1995 Album ‘HIStory: Past, Present and Future, Book 1.’ Shortly after Michael Jackson’s death, his brother Jermaine (see also best songs 570) appeared on the American ‘NBC’ television programme ‘The Today Show,’ where the shows host Matt Lauer asked him what song he hears Michael singing when he closes his eyes at night, Jermaine Jackson replied, ‘I love ‘Smile’ and I’ll tell you why. We were very close to the Chaplin family. Charlie Chaplin wrote that song, and Michael loved Charlie Chaplin. I sing it all the time in the shower.’ The other charting versions of ‘Smile’ are the September 1954 recording by the American Pop singer Sunny Gale, (1927-2022) which made Number 19 on Billboard in America, the song also charted on Billboard a month later, reaching Number 25, for the British singer David Whitfield (1925-1980.)

‘Smile’ is a song of positivity, it tells us that we must never lose faith in the hope that things will get better. Smile and you will feel better, smile and you will make others feel better as well.

‘Smile though your heart is aching, smile even though it’s breaking. When there are clouds in the sky, you’ll get by if you smile.’

THE 1000 BEST SONGS IN THE WORLD EVER.

328-Chicago-If You Leave Me Now.

1976-Number 1 single.

Best Bit-At 1.36. And today’s Pop quiz question is, do you know where this band were originally formed?

And of course I wouldn’t dream of being naughty, this isn’t a trick question. The band Chicago have indeed got their origins in Chicago, Illinois, United States. The original line up of Walter Parazaider, (saxophone) Terry Kath, (1946-1978) (guitar) Danny Seraphine, (drums) James Pankow, (trombone) Lee Loughnane, (trumpet) and Robert Lamm, (vocals, and keyboards) formed as ‘The Big Thing’ in February 1967, with some of the band members having previously played in other local bands. It was some months later that bassist, and future lead singer Peter Cetera would also become a band member. After signing with ‘Columbia Records’ in 1968 they changed their name to the ‘Chicago Transit Authority,’ but after the success of their self titled debut Album, they changed their name to ‘Chicago,’ in order to avoid legal action from the ‘Chicago Transit Bus Authority’ (C.T.A.) from where they took the name. In total 28 different band members have come and gone, with Lamm, Loughnane, and Pankow, being the groups three constants, and at the time of writing they remain active. Speaking of the formation of the band, the original drummer Danny Seraphine has said that he wanted to form a group of ‘talented, skilled musicians, with a horn section, that could play an inventive mix of Rock and Jazz. My idea was to make horns an integral part of a Rock band.’ Fellow founding member James Pankow has said that Chicago set out to be ‘basically a Rock and Roll band with a horn section’ (see also best songs 631.)

The early sound of ‘Chicago’ was more ‘Rock’ orientated than their later work, with the major writing being provided by Terry Kath, and Robert Lamm, ‘If You Leave Me Now’ would signify the start of a new era for the band, who were to become better known as a ‘Soft Rock’ act. ‘If You Leave Me Now’ was written and sung by the bands bass player Peter Cetera, with very little input from the other band members, which led to friction within the group. With the success of this new style of sound, the bands record company were eager to pursue the recording of further ballads.

With sales in excess of 100 million worldwide, Chicago are one of the best selling acts of all time, and were the best selling singles group on the American Billboard Hot 100 during the 1970’s. The discography of Chicago includes 26 studio Albums released between 1969-2022, and 67 singles released within the same time period, there are also 11 official compilation Albums, and seven live Albums available. In an unusual piece of marketing, the first four studio Albums issued by Chicago were all double Albums. In America on Billboard, five of their studio Albums have reached Number 1, while 35 of their singles have made the Billboard Hot 100, with three of those tracks making Number 1, including ‘If You Leaver Me Now.’ In the UK, Chicago have had six top 40 hit singles, with ‘If You Leave Me Now’ ending 1976 as the UK’s sixth best selling song of that year.

‘If You Leave Me Now’ was the second of three singles released from ‘Chicago X’ the eighth studio Album from Chicago from June 1976, because of the Album sleeves artwork, the groups fans affectionately call it ‘The Chocolate Album.’ ‘If You Leave Me Now’ was written by Peter Cetera, with the production being by James William Guercio, who was born on July 18th, 1945, in Chicago, Illinois, United States, he is best known for producing the first 11 studio Albums by Chicago. He also produced the early recordings of the American Pop band ‘The Buckinghams,’ and the American Jazz/Rock group ‘Blood, Sweat & Tears.’ In the mid 1970’s he became the manager of the Beach Boys, (see also best songs 930-811-180 and 74) and was also a member of their backing band. James William Guercio, who had given Chicago their name, parted ways with the band in 1977, after the group discovered that his contract was paying him 51% of profits, with the other 49% shared between the eight band members. The group revealed that ‘millions of dollars’ had gone to Guercio while he was their manager. He has also been accused of mismanagement by Chicago, having been found to have pocketed royalty payments for most of the band’s tenure.

Peter Cetera was born Peter Paul Cetera, on September 13th, 1944, in Chicago, Illinois, United States. After the success of ‘If You Leave Me Now’ Cetera wanted to pursue a solo career alongside still being a member of Chicago, much in the same way Phil Collins had a solo career separate from Genesis, (see also best songs 741) while still being acknowledged as a band member. Peter Cetera released his first self titled solo Album in 1981 which was a commercial failure, only making Number 143 on the Billboard Album chart, with Cetera blaming his record company for lack of promotion. Cetera eventually parted ways with Chicago in 1984, having recorded 14 studio Albums with the group. As a solo artist he has released seven studio Albums between 1981-2004, and 28 singles, of which seven have reached the Billboard top 40, with two of them ‘Glory of Love,’ (1986) and ‘The Next Time I Fall,’ with Amy Grant, (1986) making the Number 1 spot. In the UK, Peter Cetera has had two top 40 solo hits, with ‘Glory of Love’ peaking the highest at Number 3.

‘A love like ours is love’s that hard to find, how could we let it slip away. We’ve come too far to leave it all behind, how could we end it all this way.’